„There is no real ending. It’s just the place where you stop the story.“

Poslední aktualizace 3. června 2021. Historie
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Frank Herbert10
americký spisovatel 1920 - 1986

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„Every real story is a never ending story.“

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Zdroj: The Neverending Story

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„Where speculation ends — in real life — there real, positive science begins: the representation of the practical activity, of the practical process of development of men. Empty talk about consciousness ceases, and real knowledge has to take place.“

—  Karl Marx, kniha The German Ideology

Vol. I, Part 1, [The Materialist Conception of History].
The German Ideology (1845/46)
Kontext: Where speculation ends — in real life — there real, positive science begins: the representation of the practical activity, of the practical process of development of men. Empty talk about consciousness ceases, and real knowledge has to take place. When reality is depicted, philosophy as an independent branch of activity loses its medium of existence. At the best its place can only be taken by a summing-up of the most general results, abstractions which arise from the observation of the historical development of men. Viewed apart from real history, these abstractions have in themselves no value whatsoever. They can only serve to facilitate the arrangement of historical material, to indicate the sequence of its separate strata. But they by no means afford a recipe or schema, as does philosophy, for neatly trimming the epochs of history. On the contrary, our difficulties begin only when we set about the observation and the arrangement — the real depiction — of our historical material, whether of a past epoch or of the present.

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„At some point, I stopped and made the following note to myself: I have never finished a story. I'm beginning to see that now. I don't think that there's ever a point where a story or novel is just exactly right.“

—  Caitlín R. Kiernan writer 1964

(29 January 2005)
Unfit for Mass Consumption (blog entries), 2005
Kontext: At some point, I stopped and made the following note to myself: I have never finished a story. I'm beginning to see that now. I don't think that there's ever a point where a story or novel is just exactly right. There are only finer and lesser degrees of refinement, and even those are probably subjective. You might think it's perfect for a time, but read it a year or five years later, and you'll see you were mistaken. There's always something I can make better, every time I read one of my stories. Usually there are dozens of somethings. And I once thought this wasn't true, that a story reached a certain point and beyond that point you were only changing things, making them different, not making them better. Indeed, I thought, beyond a point, you risk screwing it all up. I don't think that anymore. You risk screwing it all up right from the start, and no story is ever as perfect as it can be. Perfection is always one or two polishes away from the writer.

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„If you want a happy ending, it just depends on where you close the book!“

—  Orson Welles American actor, director, writer and producer 1915 - 1985

From the published screenplay for "The Big Brass Ring" (Santa Barbara, Calif.: Santa Teresa Press, 1987)
Varianta: If you want a happy ending, that depends, of course, on where you stop your story.

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„On The Beach is a story about the end of the world, and Melbourne sure is the right place to film it.“

—  Ava Gardner American actress 1922 - 1990

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This has become a standing joke about Melbourne, but it's almost certainly either apocryphal or a misquotation.
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„We have a place, all of us, in a long story. A story we continue, but whose end we will not see.“

—  George W. Bush 43rd President of the United States 1946

2000s, 2001, First inaugural address (January 2001)
Kontext: We have a place, all of us, in a long story. A story we continue, but whose end we will not see. It is the story of a new world that became a friend and liberator of the old, a story of a slave-holding society that became a servant of freedom, the story of a power that went into the world to protect but not possess, to defend but not to conquer. It is the American story, a story of flawed and fallible people, united across the generations by grand and enduring ideals. The grandest of these ideals is an unfolding American promise that everyone belongs, that everyone deserves a chance, that no insignificant person was ever born. Americans are called to enact this promise in our lives and in our laws. And though our nation has sometimes halted, and sometimes delayed, we must follow no other course.

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„This book is a ripped, by no mean reliable map of some of the landscapes that make up a particular phase of my life. It’s about places where things happened or didn’t happen, places where I stayed and things that have stayed with me, places I’d wanted to see or places I passed through or just ended up.“

—  Geoff Dyer English writer 1958

Yoga For People Who Can't Be Bothered To Do It (1993)
Kontext: This book is a ripped, by no mean reliable map of some of the landscapes that make up a particular phase of my life. It’s about places where things happened or didn’t happen, places where I stayed and things that have stayed with me, places I’d wanted to see or places I passed through or just ended up. In a way they’re all the same place—the same landscape—because the person these things happened to was the same person who in turn is the sum of all things that happened or didn’t happen in these and other places. Everything in this book really happened, but some of the things that happened only happened in my head; by that same token, all the things that didn’t happen didn’t happen there too. (p. 1).

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