„There is only one tragedy in the end, not to have been a saint.“

1940s, Victory broadcast (1945)
Kontext: Today the guns are silent. A great tragedy has ended. A great victory has been won. The skies no longer rain with death — the seas bear only commerce — men everywhere walk upright in the sunlight. The entire world lies quietly at peace. The holy mission has been completed. And in reporting this to you, the people, I speak for the thousands of silent lips, forever stilled among the jungles and the beaches and in the deep waters of the Pacific which marked the way.

Zdroj: Extremely Loud and Incredibly Close

From a PBS interview with Amos Oz. The entire interview http://www.pbs.org/newshour/bb/middle_east/jan-june02/oz_1-23.html

The Inferno (1917), Ch. XVI
Kontext: A couple, a man and a woman — poor human beings almost always go in pairs — approached, and passed. I saw the empty space between them. In life's tragedy, separation is the only thing one sees. They had been happy, and they were no longer happy. They were almost old already. He did not care for her, although they were growing old together. What were they saying? In a moment of open-heartedness, trusting to the peacefulness reigning between them at that time, he owned up to an old transgression, to a betrayal scrupulously and religiously hidden until then. Alas, his words brought back an irreparable agony. The past, which had gently lain dead, rose to life again for suffering. Their former happiness was destroyed. The days gone by, which they had believed happy, were made sad; and that is the woe in everything.

"The Death of Me", p. 150
Awareness (1992)
Kontext: Can one be fully human without experiencing tragedy? The only tragedy there is in the world is ignorance; all evil comes from that. The only tragedy there is in the world is unwakefulness and unawareness. From them comes fear, and from fear comes comes everything else, but death is not a tragedy at all. Dying is wonderful; it's only horrible to people who have never understood life. It's only when you're afraid of life that you fear death. It's only dead people who fear death.

Zdroj: Shadow of the Hegemon

Mr. Dumby, Act III
Varianta: There are only two tragedies in life: one is not getting what one wants, and the other is getting it.
Zdroj: Lady Windermere's Fan (1892)

Zdroj: Anna Karenina

Herodotus: History (p. 45)
Classics Revisited (1968)

Zdroj: The Thinking Reed (1936), Chapter III

Zdroj: How I Live Now

Pearls of Wisdom

As quoted in French Ways and Their Meaning http://www.archive.org/details/frenchwaysandthe00wharuoft (1919) by Edith Wharton, p. 65
Variant:
What the American public always wants is a tragedy with a happy ending.
As quoted in A Backward Glance http://archive.org/details/backwardglance030620mbp (1934) by Edith Wharton, p. 147

Tragedy and the Common Man (1949)
Kontext: There is a misconception of tragedy with which I have been struck in review after review, and in many conversations with writers and readers alike. It is the idea that tragedy is of necessity allied to pessimism. Even the dictionary says nothing more about the word than that it means a story with a sad or unhappy ending. This impression is so firmly fixed that I almost hesitate to claim that in truth tragedy implies more optimism in its author than does comedy, and that its final result ought to be the reinforcement of the onlooker's brightest opinions of the human animal.
For, if it is true to say that in essence the tragic hero is intent upon claiming his whole due as a personality, and if this struggle must be total and without reservation, then it automatically demonstrates the indestructible will of man to achieve his humanity.

Four Saints in Three Acts (1927)
Operas and Plays (1932)

Zdroj: Extremely Loud and Incredibly Close

The Plague (1947)

1960s, Freedom From The Known (1969)
Kontext: For centuries we have been spoon-fed by our teachers, by our authorities, by our books, our saints. We say, "Tell me all about it — what lies beyond the hills and the mountains and the earth?" and we are satisfied with their descriptions, which means that we live on words and our life is shallow and empty. We are secondhand people. We have lived on what we have been told, either guided by our inclinations, our tendencies, or compelled to accept by circumstances and environment. We are the result of all kinds of influences and there is nothing new in us, nothing that we have discovered for ourselves; nothing original, pristine, clear.