„Only a child had its place on the cross, and that was enough for me [to paint his Crucifixions, earlier].... in the exact sense there was no cross but a blue child in the air. The cross interested me less.“

—  Marc Chagall, after 1930, as quoted in From Rebel to Rabbi: Reclaiming Jesus and the Making of Modern Jewish Culture, Matthew B. Hoffman; Stanford University Press, 2007, p. 219
Marc Chagall foto
Marc Chagall4
běloruský rusko-francouzský umělec a malíř 1887 - 1985

Podobné citáty

Antoni Tàpies foto

„The captain-general’s ship flew at its mast a flag on which was painted a large cross of Christ and also carried cannon, symbols of the new power entering the East.“

—  K. M. Panikkar Indian diplomat, academic and historian 1895 - 1963
Asia and Western Dominance: a survey of the Vasco Da Gama epoch of Asian history, 1498–1945

Gabriele Münter foto
Pablo Picasso foto

„It took me four years to paint like Raphael, but a lifetime to paint like a child.“

—  Pablo Picasso Spanish painter, sculptor, printmaker, ceramicist, and stage designer 1881 - 1973
Attributed from posthumous publications, Quoted in: Peter Erskine, ‎Rick Mattingly (1998), Drum Perspective, p. 73. Alternative forms: "At eight, I was Raphael", he used to say. "It took me a whole lifetime to paint like a child" From Picasso, my grandfather, Marina Picasso (2001).

Nikos Kazantzakis foto

„How can anyone have a true sense of the Hebrew race without crossing this terrifying desert, without experiencing it?“

—  Nikos Kazantzakis, kniha Report to Greco
Report to Greco (1965), Context: How can anyone have a true sense of the Hebrew race without crossing this terrifying desert, without experiencing it? For three interminable days we crossed it on our camels. Your throat sizzles from thirst, your head reels, your mind spins about as serpent-like you follow the sleek tortuous ravine. When a race is forged for two score years in this kiln, how can such a race die? I rejoiced at seeing the terrible stones where the Hebrews' virtues were born: their perseverance, will power, obstinacy, endurance, and above all, a God flesh of their flesh, flame of their flame, to whom they cried, "Feed us! Kill our enemies! Lead us to the Promised Land!" To this desert the Jews owe their continued survival and the fact that by means of their virtues and vices they dominate the world. Today, in the unstable period of wrath, vengeance, and violence through which we are passing, the Jews are of necessity once again the chosen people of the terrible God of Exodus from the land of bondage. "Jerusalem", Ch. 20, p. 265

Jean Piaget foto

„Every observer has noted that the younger the child, the less sense he has of his own ego.“

—  Jean Piaget Swiss psychologist, biologist, logician, philosopher & academic 1896 - 1980
The Moral Judgment of the Child (1932), Context: Every observer has noted that the younger the child, the less sense he has of his own ego. From the intellectual point of view, he does not distinguish between external and internal, subjective and objective. From the point of view of action, he yields to every suggestion, and if he does oppose to other people's wills — a certain negativism which has been called "the spirit of contradiction" — this only points to his real defenselessness against his surroundings. A strong personality can maintain itself without the help of this particular weapon. The adult and the older child have complete power over him. They impose their opinions and their wishes, and the child accepts them without knowing that he does so. Only — and this is the other side of the picture — as the child does not dissociate his ego from the environment, whether physical or social, he mixes into all his thoughts and all his actions, ideas and practices that are due to the intervention of his ego and which, just because he fails to recognize them as subjective, exercise a check upon his complete socialization. From the intellectual point of view, he mingles his own fantasies with accepted opinions, whence arise pseudo lies (or sincere lies), syncretism, and all the features of child thought. From the point of view of action, he interprets in his own fashion the examples he has adopted, whence the egocentric form of play we were examining above. The only way of avoiding these individual refractions would lie in true cooperation, such that both child and senior would each make allowance for his own individuality and for the realities that were held in common. Ch. 1 : The Rules of the Game, § 8 : Conclusions : Motor Rules and the Two Kinds of Respect

Sam Harris foto
Karel Appel foto

„Of course, I painted before Cobra, as afterwards. Each one of us [CoBrA-artists] had his own personality. Cobra is only a very short period of my life. It was like a crossroads. We crossed paths and each continued on his way.... We [artists] are not born to form groups. A group that lasted for too long would destroy the creative activity of its members.“

—  Karel Appel Dutch painter, sculptor, and poet 1921 - 2006
Quote of Appel in an interview with fr:Michel Ragon, 1963; as quoted in; Karel Appel, a gesture of colour, Jean-François Lyotard, (original French text of 1992 based upon intensive correspondence with Karel Appel), Christine Buci-Glucksmann, Herman Parret; University Press, Leuven, Belgium, 2009, p. 105 fr:Michel Ragon asked Appel: 'Without Cobra, would you have been what you are today?'

Claude Monet foto

„To me the motif itself is an insignificant factor; what I want to reproduce is what lies between the motif and me... Other painters paint a bridge, a house, a boat... I want to paint the air in which the bridge, the house and the boat are to be found - the beauty of the air around them, and that is nothing less than the impossible.“

—  Claude Monet French impressionist painter 1840 - 1926
1890 - 1900, Claude Monet, in an interview, 1895; as quoted in: Paul Hayes Tucker et al. (eds). (1999) Monet in the Twentieth Century. London: Royal Academy of Arts/Boston: Museum of Fine Arts. As cited in: Steven Connor, " About There, or Thereabouts http://www.stevenconnor.com/aboutthere/aboutthere.pdf." talk given at the Catalysis conference on Space and Time, Downing College, Cambridge, 23rd March 2013.

Pablo Picasso foto

„I was thinking about Casagemas's death that started me painting in blue.“

—  Pablo Picasso Spanish painter, sculptor, printmaker, ceramicist, and stage designer 1881 - 1973
1970s, Original: C’est en passant que Casagemas était mort que je me suis mis à piendre en bleu Quoted in Pierre Daix, La Vie de Peintre de Pablo Picasso, Paris: Editions du Seuil, 1977. Picasso explained his friend Pierre Daix (around 1965), why he started painting in blue early around 1905. Picasso had made a portrait of Carles Casagemas in 1899.

Edvard Munch foto
Vincent Van Gogh foto
Susan Sontag foto
Ingmar Bergman foto
Edith Wharton foto
Rick Riordan foto

„Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Etiam egestas wisi a erat. Morbi imperdiet, mauris ac auctor dictum.“

x