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Céline Sciamma citáty

Céline Sciamma je francouzská scenáristka a režisérka. Byla několikrát nominována na filmovou cenu César. V roce 2017 cenu získala v kategorii nejlepší adaptace, za film Můj život Cuketky. V roce 2019 získala na Filmovém festivalu v Cannes cenu pro nejlepší původní scénář za film Portrét dívky v plamenech. Wikipedia  

✵ 12. listopad 1978
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Céline Sciamma: 3   citáty 0   lajků

Céline Sciamma: Citáty anglicky

“We want people to have their heart broken and think about themselves, but enjoy this experience of this strong love story...But it’s also about the memory of a love story. It’s a lot about the present, the rise of desire, but it’s also about what’s left of a love story. What’s the memory of a love story. There’s these two timelines that sometimes are contiguous, contaminating one another. We are trying to propose another politic of love where it’s not about possession or donation or eternal love or death or eternity or whatever. It’s more about love as a dynamic that can only grow.”

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Céline Sciamma

On the type of love story she was drawn to portray in “‘Portrait of a Lady on Fire’ Filmmaker Céline Sciamma Is Trying to Break Your Heart” https://www.indiewire.com/2019/12/portrait-of-a-lady-on-fire-filmmaker-celine-sciamma-interview-1202193537/ in IndieWire (2019 Dec 05)

“It’s a very bourgeois industry. There’s resistance to radicalism, and also less youth in charge. ‘A film can be feminist?’ They don’t know this concept. They don’t read the book. They don’t even know about the fact that ‘male gaze’ exists. You can tell it’s a country where there’s a lot of sexism, and a strong culture of patriarchy.”

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Céline Sciamma

On the tepid reception of her film Portrait of a Lady on Fire in France in “Céline Sciamma: 'In France, they don’t find the film hot. They think it lacks flesh, it’s not erotic'” https://www.theguardian.com/film/2020/feb/21/celine-sciamma-portrait-of-a-lady-on-fire in The Guardian (2020 Feb 21)

“The last scene came really, really early, disconnected from even the idea of a woman painter…I wanted to write a love story and I thought, ‘What do I want to tell?’ And that scene came up really, really quickly, alone, by itself. The weird compass of the film was its last scene. That’s a compass, but it’s a high pressure one.”

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Céline Sciamma

On her creative process for Portrait of a Lady on Fire in “‘Portrait of a Lady on Fire’ Filmmaker Céline Sciamma Is Trying to Break Your Heart” https://www.indiewire.com/2019/12/portrait-of-a-lady-on-fire-filmmaker-celine-sciamma-interview-1202193537/ in IndieWire (2019 Dec 05)