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William Robertson Davies byl kanadský spisovatel, literární kritik a novinář. Proslavil se třemi románovými trilogiemi . Wikipedia  

✵ 28. srpen 1913 – 2. prosinec 1995
Robertson Davies: 283 citátů0 lajků

Robertson Davies citáty a výroky

„Oko vidí jen to, co je mysl připravena pochopit.“

Robertson Davies

Robertson Davies: Citáty anglicky

“As a boy, I remember serials in Chums (an English paper for schoolboys which is now extinct) in which a Terrible Trio — comprising a conjuror boy, a ventriloquist boy, and an India-rubber boy — made life intolerable for everybody who was so unfortunate as to come near them. It kept me in side-shaking fits of laughter and stirred me to ill-fated excesses of emulation, which a lack of talent and even of rubberiness quickly subdued.”

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Robertson Davies kniha A Voice from the Attic

A Voice from the Attic (1960)

“One of the great tests of a band, of course, was its manner of playing "God Save the King." … The English did it with effortless superiority, as though to say "We have frequently played this air in the presence of the King-Emperor and have reason to believe that he was perfectly satisfied." The American band gave an impression that every man was treacherously muttering the words of "My Country 'Tis of Thee" into his instrument; which was, of course, intolerable. I have probably misjudged this band, for like most children I was a patriotic bigot.”

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Robertson Davies

I Remember Creatore (1948) Reminiscences on Giuseppe Creatore and his band http://cylinders.library.ucsb.edu/search.php?queryType=%40attr+1%3D1016+&query=Creatore

“Our age has robbed millions of the simplicity of ignorance, and has so far failed to lift them to the simplicity of wisdom.”

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Robertson Davies kniha A Voice from the Attic

A Voice from the Attic (1960)

“Clarity is not a characteristic of the human spirit.”

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Robertson Davies kniha The Cunning Man

Part 1, section 4.
The Cunning Man (1994)

“That's the nub of the thing, you see — seriousness of spirit. It doesn't mean heaviness of heart, or a lack of fantasy, but it does mean an awareness of influences that touch our lives, sometimes in ways that seem cruel and unfeeling, and sometimes in ways that open up a glory which can never be forgotten.”

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Robertson Davies

Scottish Folklore and Opera (1992).

“If people need a book to tell them that in marriage kindness and forbearance are necessary, and that the sexual act is happier when it is undertaken to give pleasure as well as to receive it, these books are what they want. Possibly people so lacking in understanding of themselves and others do not mind being addressed in the coarse, grainy prose of the marriage counselor.”

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Robertson Davies kniha A Voice from the Attic

A Voice from the Attic (1960)

“The problem for a Paracelsian physician like me is that I see diseases as disguises in which people present me with their wretchedness.”

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Robertson Davies kniha The Cunning Man

Part 4, section 21.
The Cunning Man (1994)

“The people who fear humour — and they are many — are suspicious of its power to present things in unexpected lights, to question received opinions and to suggest unforeseen possibilities.”

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Robertson Davies

Opera and Humour (1991)

“Are you going to be just kind of a walking monument to a job, or are you going to have some kind of really significant inner life of your own? Because the external things — the job, the house, the this, the that — do not really fill the place inside.”

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Robertson Davies

"Robertson Davies: Beyond the Visible World".
Conversations with Robertson Davies (1989)

“Happiness is a by-product. It is not a primary product of life. It is a thing which you suddenly realize you have because you're so delighted to be doing something which perhaps has nothing whatever to do with happiness.”

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Robertson Davies

"Sunday Morning".
Conversations with Robertson Davies (1989)

“I was reading Dorothy Dix this afternoon; she says that it is permissible for a young man to tell a girl he knows fairly well that she has pretty ankles; from this I assume that the better he knows her the higher he may praise her.”

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Robertson Davies

The Table Talk of Samuel Marchbanks (1949)

“The world does so well without me, that I am moved to wish that I could do equally well without the world.”

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Robertson Davies kniha The Diary of Samuel Marchbanks

The Diary of Samuel Marchbanks (1947)

“May I make a suggestion, hoping it is not an impertinence? Write it down: write down what you feel. It is sometimes a wonderful help in misery.”

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Robertson Davies

Letter to Horace Davenport (3 April 1989).

“The day has long passed when a university degree was a guarantee of experience in the humanities, or of literacy beyond its barest meaning of being able, after a fashion, to read and write.”

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Robertson Davies kniha A Voice from the Attic

A Voice from the Attic (1960)

“To be apt in quotation is a splendid and dangerous gift. Splendid, because it ornaments a man's speech with other men's jewels; dangerous, for the same reason.”

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Robertson Davies

Robertson Davies Dangerous Jewels (1960).

“When irony first makes itself known in a young man's life, it can be like his first experience of getting drunk; he has met with a powerful thing which he does not know how to handle.”

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Robertson Davies kniha The Cunning Man

Part 2, section 6.
The Cunning Man (1994)

“If you are an intellectual, your best course is to relax and enjoy it.”

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Robertson Davies kniha A Voice from the Attic

A Voice from the Attic (1960)

“There are, one presumes, tone-deaf readers.”

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Robertson Davies kniha A Voice from the Attic

A Voice from the Attic (1960)

“But in their second-best rank, books of this academic sort are, of all books, the easiest to write. They chew over what has already been well chewed; they grapple with other scholars, seeking to bear them down into the academic ooze; they explore the vast caverns of the creator's spirit with no illumination save the smoky and fitful rushlight of their own critical intelligence.”

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Robertson Davies kniha A Voice from the Attic

A Voice from the Attic (1960)

“When the book appeared, a few reviewers found this plot incredible; they accused Professor O'Neal of having too little art to persuade them to suspend their disbelief in his assertion that Shakespeare was a precocious girl. Perhaps this was because they knew that the life of literary people is usually devoid of exciting external incident.”

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Robertson Davies kniha A Voice from the Attic

A Voice from the Attic (1960)

“People are not saints just because they haven't got much money or education.”

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Robertson Davies

"Conversations with Gordon Roper".
Conversations with Robertson Davies (1989)

“Like it or not, to reach middle age with less money or less prestige than our father had is somewhat to lose face. Stupid of course, when put like that, but who is prepared to argue that we are not stupid in several important ways?”

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Robertson Davies

"Haunted by Halloween", in the New York Times (31 October 1990).

“The fall of France must have been a bitter pill to Calvé. She had a poor opinion of Germans, both as people and as artists. It is sad to imagine what her last days may have been in her "robber-baron's castle" as Peggy Wood calls it. But one thing is certain; when death came, Calvé met it with spirit. No one who knew so well how to greet life could possibly fail to know how to greet death.”

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Robertson Davies

Emma Calvé (1942).

“But what ailed Little Eva St. Clair, in Uncle Tom's Cabin? What carried off Little Nell?… They have no clear symptoms, and seem to die of Ingrowing Virtue.”

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Robertson Davies kniha The Cunning Man

Part 4, section 20.
The Cunning Man (1994)

“People marry most happily with their own kind. The trouble lies in the fact that people usually marry at an age where they do not really know what their own kind is.”

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Robertson Davies kniha A Voice from the Attic

A Voice from the Attic (1960)

“I think we're living in an age which despises humanity and despises bravery and doesn't need bravery because modern warfare has rather gone beyond bravery. It is a kind of warfare where people are fighting enemies they never see, killing people of whom they know nothing.”

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Robertson Davies

"Sunday Morning".
Conversations with Robertson Davies (1989)

“He was born into, and seems never to have questioned, that English "class system" which has been so much abused in the present century. Indeed, several governments have announced their intention of abolishing it, and the most recent prime minister to retire showed her egalitarian principles by accepting the title of Baroness Thatcher.”

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Robertson Davies

Lewis Carroll in the Theatre (1994)

“Toronto is already in the toils of Christmas, and from several windows the hollow Ho Ho! of a mechanical Santa Claus may be heard. Children watch these creatures with hard, calculating eyes, wondering if the old man is really crazy, or only pretending to be, like Hamlet…”

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Robertson Davies kniha The Diary of Samuel Marchbanks

The Diary of Samuel Marchbanks (1947)

“"Prefer the familiar word to the far-fetched. Prefer the concrete word to the abstract. Prefer the single word to the circumlocution. Prefer the short word to the long. Prefer the Saxon word to the Romance." … What excellent advice it is, and how it was beaten into my generation of schoolboys… But one may tire of even the best advice, as one may tire of writing according to these precepts. Would we wish to be without the heraldic splendour and torchlight processions that are the sentences of Sir Thomas Browne? Would we wish to sacrifice the orotund, Latinate pronouncements of Samuel Johnson? Would we wish that Dickens had written in the style recommended by the brothers Fowler, who framed the rules I have quoted; what would then have happened to Seth Pecksniff, Wilkins Micawber, and Sairey Gamp, I ask you?”

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Robertson Davies

Writing (1990), he here quotes from The King's English (1906) by Henry Watson Fowler & Francis George Fowler

“Literary critics, however, frequently suffer from a curious belief that every author longs to extend the boundaries of literary art, wants to explore new dimensions of the human spirit, and if he doesn't, he should be ashamed of himself.”

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Robertson Davies

Somerset Maugham (1982).