Werner Herzog citáty

Werner Herzog je německý filmový a operní režisér, scenárista a herec. Často je spojován s německou novou vlnou společně s režiséry jako Rainer Werner Fassbinder, Wim Wenders, Volker Schlöndorff, Margarethe von Trotta a dalšími. Hrdiny jeho snímků jsou často lidé s neuskutečnitelnými sny nebo s unikátním talentem. Wikipedia  

✵ 5. září 1942
Werner Herzog: 53   citátů 0   lajků

Werner Herzog: Citáty anglicky

“In the face of the obscene, explicit malice of the jungle, which lacks only dinosaurs as punctuation, I feel like a half-finished, poorly expressed sentence in a cheap novel.”

Burden of Dreams (1982)
Kontext: Taking a close look at what is around us, there is some sort of a harmony. It is the harmony of overwhelming and collective murder. And we in comparison to the articulate vileness and baseness and obscenity of all this jungle, we in comparison to that enormous articulation, we only sound and look like badly pronounced and half-finished sentences out of a stupid suburban novel, a cheap novel. And we have to become humble in front of this overwhelming misery and overwhelming fornication, overwhelming growth, and overwhelming lack of order. Even the stars up here in the sky look like a mess. There is no harmony in the universe. We have to get acquainted to this idea that there is no harmony as we have conceived it. But when I say this all full of admiration for the jungle. It is not that I hate it, I love it, I love it very much, but I love it against my better judgment.

“Your film is like your children. You might want a child with certain qualities, but you are never going to get the exact specification right. The film has a privilege to live its own life and develop its own character. To suppress this is dangerous.”

Herzog on Herzog (2002)
Kontext: Your film is like your children. You might want a child with certain qualities, but you are never going to get the exact specification right. The film has a privilege to live its own life and develop its own character. To suppress this is dangerous. It is an approach that works the other way too: sometimes the footage has amazing qualities that you did not expect.

“I shouldn't make movies anymore. I should go to a lunatic asylum.”

Said while making Fitzcarraldo
Herzog on Herzog (2002)