Zdroj: [Zemřel malíř Tapies. Složil poctu Československu, proslavily ho obří ponožky, art.ihned.cz, 2012-02-07, 2013-05-07, http://art.ihned.cz/c1-54639680-zemrel-malir-tapies-slozil-poctu-ceskoslovensku-proslavily-ho-obri-ponozky]
Antoni Tapies citáty a výroky
Antoni Tapies: Citáty anglicky
Zdroj: undated quotes, Tàpies, Werke auf Papier 1943 – 2003,' (2004), p. 30.
quote from 1988
1981 - 1990
Zdroj: Tàpies, Werke auf Papier 1943 – 2003, Achim Sommer, Kunsthalle Emden, Altana 2004, p. 38
In an interview on the BBC arts program 'Omnibus', (1990); as quoted in 'Antoni Tàpies a Painter With Textures, Dies at 88', by William Grimes, in 'The New York Times', 8 Febr, 2012, p. B17
1981 - 1990
as quoted in 'Tàpies: From Within', June/November 2013 - Presse Release text, Museu Nacional d'Art de Catalunya (MNAC), pp. 7-8
1971 - 1980, Memòria Personal', 1977
1945 - 1970, A Report on the Wall' 1970
“For in order to be born again, you must die.”
Quote in 'Tapies, or the Materiality of Painting', by Klaus Dirscherl; as cited in Materialities of Communication, ed. Hans Ulrich Gumbrecht, Karl Ludwig Pfeiffer, Stanford University Press, 1988, p. 192
(1970), the line is the motto of his text 'Nothing is Insignificant', written in 1970
1945 - 1970
“In actual fact, contemplation is not a form of inactivity but an exercise.”
in his 1990 speech 'L'art modern, la mística i l'humor' ('Modern Art, Mysticism and Humour'), Barcelona: Editorial Empúries i Fundació Antoni Tàpies, 1993; as quoted in: 'Tàpies: From Within', June ─ November, 2013 - Presse Release, Museu Nacional d'Art de Catalunya (MNAC), p. 13
1981 - 1990
quote from 1976
1945 - 1970
Zdroj: Tàpies, Werke auf Papier 1943 – 2003, Achim Sommer, Kunsthalle Emden, Altana 2004, p. 25
as quoted in 'Tàpies: From Within', June/November 2013 - Presse Release text, Museu Nacional d'Art de Catalunya (MNAC), pp. 7-8
1971 - 1980, Memòria Personal', 1977
In 'Tapies, or the Materiality of Painting', by Klaus Dirscherl; as quoted in Materialities of Communication, ed. Hans Ulrich Gumbrecht, Karl Ludwig Pfeiffer, Stanford University Press, 1988, p. 184
1981 - 1990
As quoted in "Antoni Tapies" by Serafin Garcia Ibanez in the UNESCO Courier (June 1994) http://findarticles.com/p/articles/mi_m1310/is_1994_June/ai_15630919/print?tag=artBody;col1.
1991 - 2000
describing a children's game in his essay, Tàpies suggests looking at a chair
1945 - 1970
Zdroj: 'El joc de saber mirar' ('The Game of Knowing How to Look'), Antoni Tàpies, Cavall Fort, núm 82, Barcelona, gener de 1967 - translated from Catalan; as quoted in: 'Tàpies: From Within', June ─ November, 2013 - Presse Release, Museu Nacional d'Art de Catalunya (MNAC )p. 16, note 9
quote on using 'poor' materials, he used in his 'Arte Povera' works
1945 - 1970
Zdroj: 'Res no és mesquí', La pràctica de l'art, Antoni Tàpies, Barcelona: Ariel, 1970; as quoted in: 'Tàpies: From Within', June ─ November, 2013 - Presse Release, Museu Nacional d'Art de Catalunya (MNAC ), p. 13, note 14
1945 - 1970, A Report on the Wall' 1970
1945 - 1970, A Report on the Wall' 1970
1945 - 1970, A Report on the Wall' 1970
Zdroj: undated quotes, Tàpies, Werke auf Papier 1943 – 2003,' (2004), p. 24.
In 'Celebració de la mel', Antoni Tàpies, in La peinture et le vide, Fundació Antoni Tàpies, Barcelona, 1993, p. 41 –46
1991 - 2000
Tàpies is citing here Llull
in his 1990 speech 'L'art modern, la mística i l'humor' ('Modern Art, Mysticism and Humour'), Barcelona: Editorial Empúries i Fundació Antoni Tàpies, 1993; as quoted in: 'Tàpies: From Within', June ─ November, 2013 - Presse Release, Museu Nacional d'Art de Catalunya (MNAC), p. 12
insisting on his 'magma works' like 'Montseny-Montnegre' and 'Díptic amb dues formes corbes' (Diptych with Two Curved Shapes), 1988.
1981 - 1990
1945 - 1970, A Report on the Wall' 1970
quote from 1988
1981 - 1990
Zdroj: Tàpies, Werke auf Papier 1943 – 2003, Achim Sommer, Kunsthalle Emden, Altana 2004, p. 26
Zdroj: undated quotes, Tàpies, Werke auf Papier 1943 – 2003,' (2004), p. 38.
Zdroj: undated quotes, Tàpies, Werke auf Papier 1943 – 2003,' (2004), p. 30 : About the ambivalence in his own work.
1945 - 1970, A Report on the Wall' 1970
In a 1969 essay of Tàpies; as quoted in 'Marble Dust & More, in Miami's Antoni Tàpies Exhibit' by Elisa Turner, at 'Hamptons Art Hub – Art unrestricted', March 18, 2015
1945 - 1970
Zdroj: undated quotes, Tàpies, Werke auf Papier 1943 – 2003,' (2004), p. 27.
1945 - 1970, A Report on the Wall' 1970
As quoted in 'Antoni Tapies', Serafin Garcia Ibanez, in the UNESCO Courier, June 1994.
1991 - 2000
quote from 1988
1981 - 1990
Zdroj: Tàpies, Werke auf Papier 1943 – 2003, Achim Sommer, Kunsthalle Emden, Altana 2004, p. 27
Quote in: 'Tapies, or the Materiality of Painting', by Klaus Dirscherl; as cited in Materialities of Communication, ed. Hans Ulrich Gumbrecht, Karl Ludwig Pfeiffer, Stanford University Press, 1988, p. 192
1981 - 1990