Antoni Tapies citáty

Antoni Tàpies byl španělský malíř, sochař a kulturní teoretik katalánské národnosti. Byl představitelem tzv. informelu. Wikipedia  

✵ 13. prosinec 1923 – 6. únor 2012
Antoni Tapies foto
Antoni Tapies: 40   citátů 0   lajků

Antoni Tapies citáty a výroky

„S tím, jak náboženské obrazy ztrácí na hodnotě, ztrácíme také my smysl pro věčnost. Malířství je návratem na úplný začátek.“

Zdroj: [Zemřel malíř Tapies. Složil poctu Československu, proslavily ho obří ponožky, art.ihned.cz, 2012-02-07, 2013-05-07, http://art.ihned.cz/c1-54639680-zemrel-malir-tapies-slozil-poctu-ceskoslovensku-proslavily-ho-obri-ponozky]

Antoni Tapies: Citáty anglicky

“In our world, in which religious images are losing their meaning, in which our customs are getting more and more secular, we are losing our sense of the eternal. I think it’s a loss that has done a great deal of damage to modern art. Painting is a return to origins.”

In an interview on the BBC arts program 'Omnibus', (1990); as quoted in 'Antoni Tàpies a Painter With Textures, Dies at 88', by William Grimes, in 'The New York Times', 8 Febr, 2012, p. B17
1981 - 1990

“For in order to be born again, you must die.”

Quote in 'Tapies, or the Materiality of Painting', by Klaus Dirscherl; as cited in Materialities of Communication, ed. Hans Ulrich Gumbrecht, Karl Ludwig Pfeiffer, Stanford University Press, 1988, p. 192
(1970), the line is the motto of his text 'Nothing is Insignificant', written in 1970
1945 - 1970

“In actual fact, contemplation is not a form of inactivity but an exercise.”

in his 1990 speech 'L'art modern, la mística i l'humor' ('Modern Art, Mysticism and Humour'), Barcelona: Editorial Empúries i Fundació Antoni Tàpies, 1993; as quoted in: 'Tàpies: From Within', June ─ November, 2013 - Presse Release, Museu Nacional d'Art de Catalunya (MNAC), p. 13
1981 - 1990

“What I did [his artistic work in the 1940's] also served as a way to spit in the face of the well-meaning bourgeoisie…”

In 'Tapies, or the Materiality of Painting', by Klaus Dirscherl; as quoted in Materialities of Communication, ed. Hans Ulrich Gumbrecht, Karl Ludwig Pfeiffer, Stanford University Press, 1988, p. 184
1981 - 1990

“The highest wisdom incarnated in the poorest body. And even in straw mixed with manure: the final substances in which, by a rare miracle, the origin and strength of life emerge anew. The circle closes.”

quote on using 'poor' materials, he used in his 'Arte Povera' works
1945 - 1970
Zdroj: 'Res no és mesquí', La pràctica de l'art, Antoni Tàpies, Barcelona: Ariel, 1970; as quoted in: 'Tàpies: From Within', June ─ November, 2013 - Presse Release, Museu Nacional d'Art de Catalunya (MNAC ), p. 13, note 14

“It is essential to bear in mind that the world of the mystics, like that of modern physics, cannot always be 'explained' in normal words, but often 'shows' itself the better through visual images.. [from the accumulation of matter and of objects to the radicalism of a gesture, it is a matter of] painting the essential and nothing more”

Tàpies is citing here Llull
in his 1990 speech 'L'art modern, la mística i l'humor' ('Modern Art, Mysticism and Humour'), Barcelona: Editorial Empúries i Fundació Antoni Tàpies, 1993; as quoted in: 'Tàpies: From Within', June ─ November, 2013 - Presse Release, Museu Nacional d'Art de Catalunya (MNAC), p. 12
insisting on his 'magma works' like 'Montseny-Montnegre' and 'Díptic amb dues formes corbes' (Diptych with Two Curved Shapes), 1988.
1981 - 1990

“.. [the walls in the city] witnessed the martyrdom and the inhumane repression inflicted on our people.”

In a 1969 essay of Tàpies; as quoted in 'Marble Dust & More, in Miami's Antoni Tàpies Exhibit' by Elisa Turner, at 'Hamptons Art Hub – Art unrestricted', March 18, 2015
1945 - 1970

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