Aristide Maillol citáty
Aristide Maillol
Datum narození: 8. prosinec 1861
Datum úmrtí: 27. září 1944
Aristide Maillol byl francouzský sochař a malíř katalánského původu.
Podobní autoři
Jean Arp5
sochař, malíř, básník a výtvarník abstraktní
Emil Filla1
český malíř a sochař
Jan Bauch10
český malíř
Frederick John Kiesler1
rakouský architekt a sochař
Josef Václav Myslbek1
český sochař
Auguste Rodin12
francouzský sochař
Constantin Brancusi3
francouzský umělec
Jean Marais2
francouzský herec a divadelní režisér
Ludvík IX. Francouzský1
král FrancieCitáty Aristide Maillol
„The first thing that strikes [one] in Cézanne is not apples, but balance of tones. With elements drawn from nature, what did [Cézanne] attempt? To create, to arouse powerful feeling, to awaken in the hearts of men that which is eternal in men.“
— Aristide Maillol
in a writing of Maillol, quoted in 'Aristide Maillol', ed. Andrew C. Ritchie, Albright Art Gallery N Y 1945, p. 31; as quoted by Angelo Carnafa, in 'A sculpture of interior Solitude', Associated University Presse, 1999, p. 168
„He [ Renoir; Maillol made his bust] was very interested, watching me do his bust. He said to me: 'Every time you touch it, it becomes more alive.“
— Aristide Maillol
Quote in Maillol's letter, 14th May 1887; as cited in Renoir – his life and work, Francois Fosca, Book Club Associates /Thames and Hudson Ltd, London 1975, p. 245-246
„Mademoiselle, I am told that you look like a Renoir and Maillol [as a model]. I would be happy with a Renoir.“
— Aristide Maillol
in his letter (1939) to his late model Dina Vierny; as quoted in Dictionary of artists’ models, Jill Berk Jiminez, Taylor and Francis 2001, p. 550
„A [figure] interests me when I can bring architecture out of it.“
— Aristide Maillol
as quoted in ’A sculpture of interior Solitude’, by Angelo Carnafa, Associated University Presse, 1999, p. 167
„For my taste, sculpture should have as little movement as possible. It should not fall, and gesture, and grimace, and if one depicts movement, grimaces come too easily. Rodin himself remains quiet; he puts movement into his rendering of muscles, but the whole remains quiet and calm.“
— Aristide Maillol
p. 407
„Those who do Negro-sculpture in this country are wrong. We are in France; in the country of Ronsard, La Fontaine, and Racine. What connection is there between this country and these men, and Negro sculpture? An artist can only create in accordance with the character of his people and his time.“
— Aristide Maillol
p. 407
„The particular does not interest me; I find meaning only in a general idea. In Michelangelo one is carried away by the idea of power, the whole single-minded concept he imposed on himself. The 'Slaves' and the 'Medici tombs' are sculpture made to be seen only from one side. For me, sculpture means the block; my figure of 'France' has more than twenty different sides. When I enlarged it only four were left, and I had to rework it..“
— Aristide Maillol
p. 406
„We should try to return to our youth, to work naively; this is what I see, and it is why I have such success, because our century has tried to return to the primitive. I work as if no art had ever been made, before me, as if I had never learned anything. I am the first man to do sculpture.“
— Aristide Maillol
pp. 406-407
„I have a weakness for Egyptian sculpture: its figures are sculptured gods, sculptured ideas. Very different in expression, Hindu sculpture is based on very similar assumptions... The oriental people are much more artistic than we. When nations grow old, their art grows complicated and soft.“
— Aristide Maillol
p. 406
