Francis Picabia citáty

Zdroj: [Hartwigová, Julia, Apollinaire, Odeon, Praha, 1966, 1, 242]

Quote of Picabia in his 'Manifesto, 1921'; as cited in Manifesto: A Century of Isms, ed. Mary Ann Caws, Lincoln: University of Nebraska Press, 2001, p 319
1920's

As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 200
1920's

1910's

two short quotes of Picabia, in 'A Paris painter', by Hapgood, published in 'The Globe and Commercial Advertiser', 20 Febr. 1913, p. 8
1910's

In 'DADA manifesto 1920'; as quoted in Manifesto: A Century of Isms, ed. Mary Ann Caws, Lincoln: University of Nebraska Press, 2001, nr. 9.16 Francis Picabia, p 318
1920's

'Udnie – I see Again in Memory my Dear Udnie' is the title of a painting, he made in 1913; a memory of the dances performed by Stasia Napierkowska on the ship to New York, to visit the w:Armory Show, where Picabia was presented in 1913 as a 'leading Cubist painter'
1910's
Zdroj: 'Ecrits: vol. 1', 1913 - 1920, Picabia, Belfond, Paris, p. 26

1910's
Zdroj: 'How I see New York', in 'The New York American', New York 30 March 1913, p. 11

In a letter to Tristan Tzara, Nov. 1919, (after having received a copy of 'Manifesto Dada 3.', written by Tzara); as quoted in: TaTa Dada: The Real Life and Celestial Adventures of Tristan Tzara, Marius Hentea, MIT Press, 12 Sep 2014, p. 115
1910's

Originál: (fr) Pour que vous aimiez quelque chose il faut que vous l'ayez vu et entendu depuis longtemps tas d'idiots.
Zdroj: Sign for a Dada festival (March 1920)

Quote of Picabia, in an interview in an American newspaper, 1915; as quoted by William A. Camfield, in Francis Picabia: His Art, Life and Times, Princeton, 1979, p.77
Picabia emphasised that line took precedence over colour in his works since 1915
1910's