Frank Stella citáty (39 citátů, strana 2) | Citáty slavných osobností

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“Ken Noland has put things in the center [of the painting] and I'll use a symmetric pattern, but we use symmetry in a different way. It's non-relational. In the newer American painting [in contrast to European geometric art] we strive to get the thing in the middle, and symmetrical, but just to get a kind of force, just to get the thing on the canvas. The balance factor isn't important.”

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Frank Stella

Zdroj: Quotes, 1960 - 1970, Questions to Stella and Judd' - September 1966, p. 118

“If we are the best, it is only fair that they imitate us.”

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Frank Stella

Quotes, 1971 - 2000
Zdroj: Alexander Alberro, ‎Blake Stimson (1999) Conceptual Art: A Critical Anthology. p. 227

“Ken Noland would use concentric circles; he'd want to get them in the middle [of the painting] because it's the easiest way to get them there, and he want them there in the front, on the surface of the canvas. If you're that much involved with the surface of anything, you're bound to find symmetry the most natural means.”

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Frank Stella

Zdroj: Quotes, 1960 - 1970, Questions to Stella and Judd' - September 1966, p. 118

“Time is what you have left.... you just march with it and use it the best you can.”

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Frank Stella

Zdroj: Quotes, 1971 - 2000, Bomb: X Motion Picture and Center for New Art Activities, 2000, p. 28.

“The paintings got sculptural because the forms got more complicated. I've learned to weave in and out.”

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Frank Stella

Zdroj: Quotes, 1971 - 2000, Bomb: X Motion Picture and Center for New Art Activities, 2000, p. 28.

“Clement Greenberg talked about the ideas or possibilities of painting in his - I think -, 'After Abstract Expressionism' article, and he allows a blank canvas to be an idea for a painting. It might not be a good idea, but it's certainly valid. Yves Klein did the empty gallery. He sold 'air', and that was a conceptualized art, I guess.”

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Frank Stella

Zdroj: Quotes, 1960 - 1970, Questions to Stella and Judd' - September 1966, p. 122

“I got tired of other's people painting and began to make my own paintings. I found, however, that I not only got tired of looking at my own paintings but that I also didn't like painting them at all. The painterly problems of what to put here and there and how to do it to make it go with what was already there, became more and more difficult and the solutions more and more unsatisfactory. Until finally it became obvious that there had to be a better way.”

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Frank Stella

Zdroj: Quotes, 1960 - 1970, The Pratt lecture (1960), p. 114

“I see my work, as being determined by the fact that I was born in 1936.”

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Frank Stella

Quote from: Frank Stella, ‎Philip Leider, ‎Fort Worth Art Museum (1978) Stella since 1970: exhibition The Fort Worth Art Museum. p. 96
Quotes, 1971 - 2000

“My painting is based on the fact that only what can be seen there is there. It really is an object. Any painting is an object and anyone who gets involved enough in this finally has to face up to the objectness of whatever it is that he's doing. He is making a thing.... all I want anyone to get out of my paintings, and all I ever get out of them, is the fact that you can see the whole idea without any confusion... What you see is what you see.”

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Frank Stella

Quote from: 'Questions to Stella and Judd', Bruce Glaser, Art News, September 1966, p 58-59
Quotes, 1960 - 1970

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