Frédéric Bazille citáty

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Frédéric Bazille

Datum narození: 6. prosinec 1841
Datum úmrtí: 28. listopad 1870

Jean Frédéric Bazille byl francouzský impresionistický malíř působící především jako portrétista a krajinář.

Citáty Frédéric Bazille

„I do hope, that if I ever do anything, at least to have the merit of not copying anyone.“

—  Frédéric Bazille

Quote in Bazille's letter to his father, 1864; as cited in: article: Frédéric Bazille and the Birth of Impressionism, Corrinne Chong, PhD -independent scholar http://www.19thc-artworldwide.org/autumn17/chong-reviews-frederic-bazille-and-the-birth-of-impressionism
1861 - 1865

„Certain parts of the forest [the forest Bas Bréau, near Barbizon ] are truly wonderful. We can't even imagine such oak trees in Montpellier.“

—  Frédéric Bazille

Bazille's quote refers to travelling and painting together landscape in-open-air with Monet, Pisarro and Renoir, all students of the Paris art-teacher w:Charles Gleyre.
1861 - 1865
Zdroj: Frédéric Bazille and early Impressionism, Marandel; Daulte et al. p. 155

„I have started a large landscape which is beginning to take shape.“

—  Frédéric Bazille

Quote in Bazille's letter to his father, June 1870; as cited in Impressionnism, Gary Tinterow, Henri Loyrette; Metropolitan Museum of Art, 1994, p. 338
1866 - 1870

„It is really too ridiculous for a reasonably intelligent person to expose himself to this kind of administrative caprice.“

—  Frédéric Bazille

quote, c. 1869; in: Frédéric Bazille and early Impressionism, Marandel, Daulte et al. p. 179-180
Bazille meant the official yearly Paris Salon which excluded and refused many artists of the circle of the Impressionists; in 1869 an attempt to reinstate the Salon des Refusés was in progress; and even the older painters like Daubigny, Corot, Courbet, Diaz promised their support and to contribute their art in the alternative Salon
1866 - 1870

„The big classical compositions are finished; an ordinary view of daily life would be much more interesting.“

—  Frédéric Bazille

Quote by Jean Renoir, in: Renoir my father, p. 96; as quoted in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 24

a remark of Bazille, in the winter of 1862 – 63 during a walk with Renoir

the two painters passed a crying baby while its nurse was flirting with a soldier
1861 - 1865

„Don't worry! I bring to it all the necessary objectivity, don't be alarmed.... dirty machinists, very dumb musicians, a very old [choreographer] Monsieur Auber, and everyone only thinks about getting her job done as quickly as possible to earn a living.“

—  Frédéric Bazille

about a 'backstage-scene' of the Paris Opera, from his letter to Bazille's mother c. 1866; as cited in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 49
1866 - 1870

„I have no intention of being killed, there's too much I still want to do with my life.“

—  Frédéric Bazille

Quote from a late letter of Bazille he wrote in 1870, shortly before he died in the Franco-Prussian War; Bazille joined General de Barrail's staff
1866 - 1870
Zdroj: Les Impressionists autour de Paris: tableau de banlieu avec peintres, ed. Jean-Michel Puydebat – SEM Chateau d’Auvers, 1993, p. 16

„The subject matter is unimportant, provided what I have done is interesting as a painting. I chose the modern era because it is the one I understand best; I find it more alive for people who are alive.“

—  Frédéric Bazille

as quoted in: 'Frédéric Bazille and the Birth of Impressionism', Corrinne Chong, PhD -independent scholar http://www.19thc-artworldwide.org/autumn17/chong-reviews-frederic-bazille-and-the-birth-of-impressionism
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„I've extended my hospitality to one of my friends, a former student of Gleyre's, who lacks a studio at the moment. Renoir, that's his name, is a real worker, he takes advantage of my models and helps me pay for them.“

—  Frédéric Bazille

In a letter to his parents, c. 1868; as quoted in Frédéric Bazille, Prophet of Impressionism (exhibition catalogue), Brooklyn Museum of Art, Brooklyn & Dixon Gallery, Memphis, 1992-93, p. 38
Renoir would move in with Bazille around 1868, and Bazille's letter is only one example of his charitable nature
1866 - 1870

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