Ingmar Bergman citáty

Ingmar Bergman foto
8   32

Ingmar Bergman

Datum narození: 14. červenec 1918
Datum úmrtí: 30. červenec 2007

Ingmar Bergman byl švédský filmový a divadelní režisér, spisovatel a dramatik, jeden z nejvýznamnějších autorských filmařů 20. století.

Help us translate English quotes

Discover interesting quotes and translate them.

Start translating

„When film is not a document, it is dream.“

—  Ingmar Bergman

On Andrei Tarkovsky in Laterna Magica (1987); The Magic Lantern : An Autobiography as translated by Joan Tate (1988). <!-- p. 73 --> [also sometimes referred to as The Magical Lantern]
Kontext: When film is not a document, it is dream. That is why Tarkovsky is the greatest of them all. He moves with such naturalness in the room of dreams. He doesn't explain. What should he explain anyhow? He is a spectator, capable of staging his visions in the most unwieldy but, in a way, the most willing of media. All my life I have hammered on the doors of the rooms in which he moves so naturally. Only a few times have I managed to creep inside. Most of my conscious efforts have ended in embarrassing failure...

„I am very much aware of my own double self… The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work — he is in touch with the child.“

—  Ingmar Bergman

As quoted in "Ingmar Bergman: Summing Up A Life In Film" http://web.archive.org/web/20110913212122/http://bergmanorama.webs.com/kakutani_nyt83.htm by Michiko Kakutani in The New York Times Magazine (26 June 1983)].
Kontext: I am very much aware of my own double self... The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work — he is in touch with the child. He is not rational, he is impulsive and extremely emotional. Perhaps it is not even a "he," but a "she."

„We went to morning services in variouis places and were deeply impressed by the spiritual poverty of these churches, by the lack of any congregation and the miserable spiritual status of the clergy, the poverty of their sermons, and the nonchalance and indifference of the ritual.“

—  Ingmar Bergman

On Winter Light, Jonas Sima interview <!-- pages 173-174 -->
Kontext: We drove about, looking for churches, my father and I. My father, as you probably know, was a clergyman — he knew all the Uppland churches like the back of his hand. We went to morning services in variouis places and were deeply impressed by the spiritual poverty of these churches, by the lack of any congregation and the miserable spiritual status of the clergy, the poverty of their sermons, and the nonchalance and indifference of the ritual.
In one church, I remember — and I think it has a great deal to do with the end of the film — Father and I were sitting together. My father had already been retired for many years, and was old and frail.... Just before the bell begins to toll, we hear a car outside, a shining Volvo: the clergyman climbs out hurriedly, and there is a faint buzz from the vestry, and then the clergyman appears before he ought to — when the bell stops, that is — and says he feels very poorly and that he's talked to the rector and the rector has said he can use an abbrviated form of the service and drop the part at the altar. So there would be just one psalm and a sermon and another psalm. And goes out. Whereon my father, furious, began hammering on the pew, got to his feet and marched out into the vestry, where a long mumbled conversation ensued; after which the churchwarden also went in, then someone ran up the organ gallery to fetch the organist, after which the churchwarden came out and announced that there would be a complete service after all. My father took the service at the altar, but at the beginning and the end.
In some way I feel the end of the play was influenced by my father's intervention — that at all costs one must do what it is one's duty to do, particularly in spiritual contexts. Even if it can seem meaningless.

„For me, hell has always been a most suggestive sort of place; but I've never regarded it as being located anywhere else than on earth. Hell is created by human beings — on earth!“

—  Ingmar Bergman

Torsten Manns interview <!-- p. 40 -->
Kontext: Now let's get this Devil business straight, once and for all. To begin at the beginning: the notion of God, one might say, has changed aspect over the years, until it has either become so vague that it has faded away altogether or else has turned into something entirely different. For me, hell has always been a most suggestive sort of place; but I've never regarded it as being located anywhere else than on earth. Hell is created by human beings — on earth!
What I believed in those days — and believed in for a long time — was the existence of a virulent evil, in no way dependent upon environmental or hereditary factors. Call it original sin or whatever you like — anyway an active evil, of which human beings, as opposed to animals, have a monopoly. Our very nature, qua human beings, is that inside us we always carry around destructive tendencies, conscious or unconscious, aimed both at ourselves and at the outside world.
As a materialization of this virulent, indestructible, and — to us — inexplicable and incomprehensble evil, I manufactured a personage possessing the diabolical traits of a mediaeval morality figure. In various contexts I'd made it into a sort of private game to have a diabolic figure hanging around. His evil was one of the springs in my watch-works. And that's all there is to the devil-figure in my early films... Unmotivated cruelty is something which never ceases to fascinate me; and I'd very much like to know the reason for it. Its source is obscure and I'd very much like to get at it.

„A French critic cleverly wrote that "with Autumn Sonata Bergman does Bergman." It is witty but unfortunate. For me, that is.“

—  Ingmar Bergman

Images : My Life in Films (1990)
Kontext: A French critic cleverly wrote that "with Autumn Sonata Bergman does Bergman." It is witty but unfortunate. For me, that is. I think it is only too true that Bergman (Ingmar, that is) did a Bergman... I love and admire the filmmaker Tarkovsky and believe him to be one of the greatest of all time. My admiration for Fellini is limitless. But I also feel that Tarkovsky began to make Tarkovsky films and that Fellini began to make Fellini films. Yet Kurosawa has never made a Kurosawa film. I have never been able to appreciate Buñuel. He discovered at an early stage that it is possible to fabricate ingenious tricks, which he elevated to a special kind of genius, particular to Buñuel, and then he repeated and varied his tricks. He always received applause. Buñuel nearly always made Buñuel films.

„In this profession, I always admire people who are going on, who have a sort of idea and, however crazy it is, are putting it through; they are putting people and things together, and they make something. I always admire this.“

—  Ingmar Bergman

On Jean-Luc Godard in an interview with John Simon (1971).
Kontext: In this profession, I always admire people who are going on, who have a sort of idea and, however crazy it is, are putting it through; they are putting people and things together, and they make something. I always admire this. But I can't see his pictures. I sit for perhaps twenty-five or thirty or fifty minutes and then I have to leave, because his pictures make me so nervous. I have the feeling the whole time that he wants to tell me things, but I don't understand what it is, and sometimes I have the feeling that he's bluffing, double-crossing me.

„My basic view of things is — not to have any basic view of things. From having been exceedingly dogmatic, my views on life have gradually dissolved. They don't exist any longer…“

—  Ingmar Bergman

Stig Bjorkman interview <!-- p. 17-18 -->
Kontext: My basic view of things is — not to have any basic view of things. From having been exceedingly dogmatic, my views on life have gradually dissolved. They don't exist any longer... I've a strong impression that our world is about to go under. Our political systems are deeply compromised and have no further uses. Our social behavior patterns — interior and exterior — have proved a fiasco. The tragic thing is, we neither can nor want to, nor have the strength to alter course. It's too late for revolutions, and deep down inside ourselves we no longer even believe in their positive effects. Just around the corner an insect world is waiting for us — and one day it's going to roll in over our ultra-individualized existence. Otherwise I'm a respectable social democrat.

„One of the strongest feelings I remember from my childhood is, precisely, of being humiliated; of being knocked about by words, acts, or situations.
Isn't it a fact that children are always feeling deeply humiliated in their relations with grown-ups and each other? I have a feeling children spend a good deal of their time humiliating one another. Our whole education is just one long humiliation, and it was even more so when I was a child.“

—  Ingmar Bergman

Torsten Manns interview <!-- pages 80-81 -->
Kontext: One of the strongest feelings I remember from my childhood is, precisely, of being humiliated; of being knocked about by words, acts, or situations.
Isn't it a fact that children are always feeling deeply humiliated in their relations with grown-ups and each other? I have a feeling children spend a good deal of their time humiliating one another. Our whole education is just one long humiliation, and it was even more so when I was a child. One of the wounds I've found hardest to bear in my adult life has been the fear of humiliation, and the sense of being humiliated... Every time I read a review, for instance — whether laudatory or not — this feeling awakes... To humiliate and be humiliated, I think, is a crucial element in our whole social structure. It's not only the artist I'm sorry for. It's just that I know exactly where he feels most humiliated. Our bureaucracy, for instance. I regard it as in high degree built up on humiliation, one of the nastiest and most dangerous of all poisons.

„I know the first film I ever saw — it must have been some time in 1924, when I was six or so… was Black Beauty.“

—  Ingmar Bergman

Stig Bjorkman interview <!-- pages 6-7 -->
Kontext: I know the first film I ever saw — it must have been some time in 1924, when I was six or so... was Black Beauty. About a stallion. I still recall a sequence with fire. It was burning, I remember that vividly. And I remember too how it excited me, and how afterwards we bought the book of Black Beauty and how I learned the chapter on the fire by heart — at that time I still hadn't learned to read.

„Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Etiam egestas wisi a erat. Morbi imperdiet, mauris ac auctor dictum.“

Podobní autoři

Verner Von Heidenstam foto
Verner Von Heidenstam3
švédský spisovatel
Selma Lagerlöf foto
Selma Lagerlöf5
švédská spisovatelka
Axel Munthe foto
Axel Munthe23
švédský lékař
Dag Hammarskjöld foto
Dag Hammarskjöld6
švédský diplomat, ekonom a autor
Jean Cocteau foto
Jean Cocteau41
francouzský básník, prozaik, dramatik, návrhář, boxerský ma…
Federico Fellini foto
Federico Fellini9
italský filmař
Tim Burton foto
Tim Burton8
americký filmař
Billy Wilder foto
Billy Wilder4
americký filmař
Alejandro Jodorowsky foto
Alejandro Jodorowsky20
chilský spisovatel knih a komiksů, režisér
Marcel Pagnol foto
Marcel Pagnol12
francouzský spisovatel
Dnešní výročí
Samuel Johnson foto
Samuel Johnson49
anglický spisovatel 1709 - 1784
Jimi Hendrix foto
Jimi Hendrix15
americký kytarista a zpěvák 1942 - 1970
Dag Hammarskjöld foto
Dag Hammarskjöld6
švédský diplomat, ekonom a autor 1905 - 1961
William Hazlitt foto
William Hazlitt9
anglický spisovatel, divadelní kritik, sociální komentátor … 1778 - 1830
Dalších 48 dnešních výročí
Podobní autoři
Verner Von Heidenstam foto
Verner Von Heidenstam3
švédský spisovatel
Selma Lagerlöf foto
Selma Lagerlöf5
švédská spisovatelka
Axel Munthe foto
Axel Munthe23
švédský lékař
Dag Hammarskjöld foto
Dag Hammarskjöld6
švédský diplomat, ekonom a autor
Jean Cocteau foto
Jean Cocteau41
francouzský básník, prozaik, dramatik, návrhář, boxerský ma…