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Klaus Kinski citáty
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Klaus Kinski byl významným německým hercem a režisérem. Jeho dlouholetým spolupracovníkem byl režisér Werner Herzog. Klaus se narodil v rodině lékárníka jako Nikolaus Gunter Nakszynski. Po přestěhování do Berlína v raném věku začal navštěvovat gymnázium, ale studia přerušil, když narukoval do armády. Během války byl v zajetí a tam se poprvé začal zajímat o herectví. Po válce začal vystupovat na divadelních prknech, a postupně si získal pozornost v mnoha divadelních rolích.

V kinematografii se objevoval ve více než 130 filmech, často ve záporných postavách. Jeho průlomovým filmem byl Aguirre, hněv Boží, který mu přinesl velký úspěch. S Herzogem spolupracoval také na dalších projektech, například v Nosferatu - Fantom noci. Klaus byl čtyřikrát ženatý, měl tři děti a napsal také dvě knihy pamětí. Jeho náhlá smrt byla způsobena infarktem. V roce 2013 byl jeho dcerou obviněn z opakovaného incestu a sexuálního zneužívání, což potvrdila i jeho druhá dcera Nastassja Kinski.

✵ 18. říjen 1926 – 23. listopad 1991
Klaus Kinski foto
Klaus Kinski: 39   citátů 3   lajky

Klaus Kinski citáty a výroky

„Jsem jako divoké zvíře za mřížemi. Potřebuju vzduch, potřebuju prostor.“

Klaus Kinski

Zdroj: [Zkrocení démoni, Instinkt extra, 2010, červen, 28]

O zvířatech

„Flamenco cikánské nemá nic společného s flamencem pro turisty. Skutečné flamenco je jako sex.“

Klaus Kinski
O sexu

Klaus Kinski: Citáty anglicky

“ASSHOLES! Do you ask a car crash for another take? Do you ask a volcano for another take? Do you ask the storm for another take?”

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Klaus Kinski

On directors asking him for another take.
Playboy interview

“I've solved the mystery: You have to submit silently. Open up, let go. Let anything penetrate you, even the most painful things. Endure. Bear up. That's the magic key! The text comes by itself, and its meaning shakes the soul… You mustn't let scar tissue form on your wounds; you have to keep ripping them open in order to turn your insides into a marvelous instrument that is capable of anything. All this has its price.”

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Klaus Kinski

Zdroj: Kinski Uncut : The Autobiography of Klaus Kinski (1996), p. 72-73
Kontext: At a performance everything works out on its own. I've solved the mystery: You have to submit silently. Open up, let go. Let anything penetrate you, even the most painful things. Endure. Bear up. That's the magic key! The text comes by itself, and its meaning shakes the soul. Everything else is taken care of by the life one has to live without sparing oneself. You mustn't let scar tissue form on your wounds; you have to keep ripping them open in order to turn your insides into a marvelous instrument that is capable of anything. All this has its price. I become so sensitive that I can't live under normal conditions. That's why the hours between performances are worst.

“The street kid in me says, "Grab the money and run - who cares who it's from! Don't think about whatever you have to do for it or when you have to do it!"”

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Klaus Kinski

Zdroj: Kinski Uncut : The Autobiography of Klaus Kinski (1996), p. 289

“What they teach in these acting schools is incredible, hair-raising crap. The Actors Studio in America is supposed to be the worst. There the students learn how to be natural - that is, they flop around, pick their noses, scratch their balls. This bullshit is known as "method acting." How can you "teach" someone to be an actor? How can you teach someone how and what to feel and how to express it? How can someone teach me how to laugh or cry? How to be glad and how to be sad? What pain is, or despair or happiness? What poverty and hunger are? What hate and love are? What desire is, and fulfillment? No, I don't want to waste my time with these arrogant morons.”

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Klaus Kinski

Zdroj: Kinski Uncut : The Autobiography of Klaus Kinski (1996), p. 59

“Why do I continue making movies? Making movies is better than cleaning toilets.”

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Klaus Kinski

Playboy interview

“The flamenco of the Gypsy has nothing to do with the flamenco for tourists. Real flamenco is like sex.”

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Klaus Kinski

Zdroj: Kinski Uncut : The Autobiography of Klaus Kinski (1996), p. 179

“I don't care about that scum! Why should I receive a prize? I know that I'm a genius!”

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Klaus Kinski

As quoted by Werner Herzog, in My Best Fiend, (1999)

“I don't know how this will end. All I know is Nanhoï's love. My son is my life. I believe in the magic of this love. He is the embodiment of life to me. The embodiment of beauty. Through him I'll find redemption and salvation. Then the wound in my soul - the wound I thought would never scar over - will stop bleeding. I thought I would have to tear it open once it began to heal. Back then, when I felt I couldn't stop being what is called an actor, when I told myself I was only doing it for the money and that it could be worse. Now, today, I'd rather be poor, but without nightmares and without the torture. If only I could! I wish I'd never been an actor! I wish I'd never had success! I'd rather have been a streetwalker, selling my body, than selling my tears and my laughter, my grief and joy.”

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Klaus Kinski

Zdroj: Kinski Uncut : The Autobiography of Klaus Kinski (1996), p. 316

“No outsider can imagine the stupidity, blustering hysteria, authoritarianism, and paralyzing boredom of shooting a flick for Billy Wilder. The so-called "actors" are simply trained poodles who sit up on their hind legs and jump through hoops. I thought the insanity would never stop. But I got a shitload of money.”

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Klaus Kinski

On filming Buddy Buddy. p. 299
Kinski Uncut : The Autobiography of Klaus Kinski (1996)

“Steven Spielberg offers me a part in Raiders of the Lost Ark… But as much as I'd like to do a movie with Spielberg, the script is as moronically shitty as so many other flicks of this ilk. At the same time, Claude Lelouch is nagging me to do his Les Uns et les Autres (Bolero). I'd be willing to do this project, but not for the shabby pittance that this rat offers me.”

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Klaus Kinski

Zdroj: Kinski Uncut : The Autobiography of Klaus Kinski (1996), p. 294

“… I would have been better than Adolf Hitler. I could have delivered his speeches a lot better… that's for certain.”

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Klaus Kinski

Fangoria interview

“I am not the official Church Jesus who is accepted by policemen, bankers, judges, executioners, officers, church bosses, politicians and similar representatives of power. I am not your Superstar who keeps playing his part for you on the cross, and whom you hit in the face when he steps out of his role, and who therefore cannot call out to you, "I am fed up with all your pomp and all your rituals! Your incense is disgusting. It stinks of burnt human flesh. I can't bear your holy celebrations and holidays any longer. You can pray as much as you like, I'm not listening. Keep all your idiotic honours and laudations. I won't have anything to do with them. I do not want them. I am no pillar of peace and security. Security that you achieve with tear gas and with billy clubs. I am no guarantee for obedience and order either. Order and obedience at reform schools, prisons, penal institutions, insane asylums. I am the disobedient one, the restless one who does not live in any house. Nor am I a guarantee for success, savings accounts and possessions. I am the homeless one without a permanent home who stirs up trouble wherever he goes. I am the agitator, the invoker, I am the scream. I am the hippie, bum, Black Power, Jesus people. I want to free the prisoners. I want to make the blind see. I want to redeem the tortured. I want to cast love into your hearts, the love that reaches out beyond everything that exists. I want to turn you into living human beings, immortals.”

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Klaus Kinski

Jesus Christus Erlöser (1971)

“How can anyone believe that you can "learn" how to feel and learn how to express it? How can anyone teach another person how to laugh and how to cry? How to be cheerful and how to be sad? Teach them what pain is, and despair, and desire, and passion? Hate and love? How can anyone waste their own and somebody else's time with that idiocy? But far worse than the morons who think they can learn these things are the people who claim they can teach them. In the end, they teach bad manners. If one of their trained poodles sits down in public, he doesn't sit, he slouches - which is supposed to mean that his behavior is "natural." He or she scratches his or her head then picks his or her nose, which is supposed to mean that he or she has no complexes and acts very spontaneously. So this is what New York talk shows look like.”

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Klaus Kinski

On method acting. p. 313
Kinski Uncut : The Autobiography of Klaus Kinski (1996)

“Werner, nobody will read this book if I don't write bad stuff about you. If I wrote that we get along well together, nobody would buy it. The scum only wants to hear about the dirt, all the time.”

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Klaus Kinski

As quoted by Werner Herzog, in My Best Fiend, (1999)

“I don't try to justify myself or defend myself. I've always done what I had to. She should know for herself that I love her, that I've loved her always, always. Those years you can't replace by words, though. After years and years, words get weaker and weaker.”

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Klaus Kinski

On his daughter, Nastassja, as quoted in Denise Worrell (1989), Icons: Intimate Portraits.

“Sometimes, my heart hurts so much, I beat it with my fists. I try to run. But you cannot run away from this. You cannot run from it. Wherever you run, it waits for you. Even when you think you have escaped it, it is there, where you have run to. It waits for you, to ambush you. It is like those vines called lianas, those tropical creepers that grow around you and strangle you. You cut off one branch, but there is another that grows. You leap over the wall of one ghetto and find yourself in another ghetto.”

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Klaus Kinski

Playboy interview

“Westerns. One after another. They get shittier and shittier, and the so-called directors get lousier and lousier. And the more incompetent they are, the more hostile they act.”

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Klaus Kinski

Zdroj: Kinski Uncut : The Autobiography of Klaus Kinski (1996), p. 210

“He should be thrown alive to the crocodiles! An anaconda should strangle him slowly! A poisonous spider should sting him and paralyze his lungs! The most venomous serpent should bite him and make his brain explode! No — panther claws should rip open his throat — that would be much too good for him! Huge red ants should piss into his lying eyes and gobble up his balls and his guts! He should catch the plague! Syphilis! Yellow fever! Leprosy! It's no use; the more I wish him the most gruesome deaths, the more he haunts me.”

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Klaus Kinski

On Werner Herzog, p. 220-21
Kinski Uncut : The Autobiography of Klaus Kinski (1996)

“I find the totality of metamorphosis most terrifying when I'm Woyzeck… Suffering through that had as devastating an impact on me as if I hadn't only always suffered as Woyzeck but continue to do so over and over. Malaria of the soul, recurring again and again. My total being is one large breeding ground for the shocks of the world past, present and future. All living and dying, all vibrations pass through me. The entire universe pours into me, rages in me, rampages through and over me. Annihilates me. It comes and goes whenever it likes. It rules me, commands me, envelops me, threatens me, and waits for me everywhere and all the time. It sucks me up, sucks me dry, grows through me. It's in my spinal marrow. In my brain mass. In my blood, in my bones. My muscles. Guts. Genitals. Sperm. Flesh. Eyes. Hearing. Taste. Smell. Balance. Laughter. Tears. In my days and nights. In my thoughts. In my feelings. In my courage and my fear. In my despair and my hope. In my weakness and my strength. Everywhere and all the time.”

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Klaus Kinski

On his performance in Woyzeck. p. 315
Kinski Uncut : The Autobiography of Klaus Kinski (1996)

“He's a highly talented guy. He does very good movies and he's not the sort of person who always talks bullshit. He does many, many things right. But he's also sick. Obsessed. He wants to make history, not movies. Anyone who wants to make history is stupid.”

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Klaus Kinski

On Werner Herzog.
Fangoria interview

“Yeah, I've got violence in me, but no negative violence. My violence is the violence of the free man who refuses to knuckle under. Creation is violent. Life is violent. Birth is a violent process. Tempests and earthquakes are violent movements of nature. My violence is the violence of life. It is not violence against nature, like the violence of the state, which sends your kids to the slaughterhouse, deadens your minds, and drives out your souls!”

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Klaus Kinski

Zdroj: Kinski Uncut : The Autobiography of Klaus Kinski (1996), p. 2

“Not only is she obsessed with fur, she also collects clothes, houses, land, islands, and, above all, diamonds. Lots of diamonds. Big ones. The biggest are the size of pigeon eggs, and she's already wearing them for breakfast. I feel sorry for her. She'd give it all up just to be a couple of years younger.”

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Klaus Kinski

On Martine Carol. p. 185
Kinski Uncut : The Autobiography of Klaus Kinski (1996)

“At sixteen I get drafted. When I read the draft notice, I cry. Not because I'm a coward - I'm not afraid of anyone. But I don't want to kill or be killed.”

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Klaus Kinski

Zdroj: Kinski Uncut : The Autobiography of Klaus Kinski (1996), p. 42

“At first, I felt this thing coming up in myself, just really physically growing in myself and happening, but it was a jungle, so I couldn't distinguish things so much. I knew there were, in myself, the souls of millions of people who lived centuries ago - not just people but animals, plants, the elements, things, even, matter - that all of these exist in me, and I felt this. OK, this pushed and pushed and pushed. OK, that was the beginning… And through the years it became clearer and clearer, this thing; it started to separate itself. I could make it come when I had to concentrate on, let's say, a person I had to become - this thing became stronger. And took more of me. In this moment, I let it do it, because I wanted, I had to be this person. And as I was led to doing it, there was then no way back. And the more I tried to do it, the more I hated it. But there was no way back anymore; it was always going farther and farther and farther. Until one day, when I was walking through the streets of Paris, I started crying, because I could look at a man, a woman, a dog, anything, and receive it, anything, everything; there was no difference between physical and psychological. I felt like I was breaking out, breaking up, receiving everything, every moment, even things I did not see. There is no turning back from this. But this danger is the power you have. It is this same power that lets you hold an audience when you are on a stage. Then it is a concentration, the same concentration that in kung fu is used for the kick that kills or to break a table with your hand. It means that you are sure of the power and that you relinquish yourself to it”

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Klaus Kinski

Playboy interview

“I didn't choose to be alone. But I cannot explain this. I could be with a woman in a bed, for weeks even and it would seem to me like three seconds. Or 300 years. There is no time sense because of things that are going on in you. I don't know, there is no explanation of this. But every time, even with someone I…. But whenever I was with a woman, I always sort of want another one. So there was always another one. I can't explain this, but it means that these women, they were not sharing my solitude. I wanted to stay with somebody, but I couldn't, it wasn't possible, because of this thing moving in myself. I had to learn this. I didn't want to be alone, but I had to learn that the dimensions of my feelings are too violent. I had to learn this.”

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Klaus Kinski

Playboy interview

“The jungle is life itself. A thousand times more alive than anything you've ever seen. We didn't go there to be a part of it. We invaded it. We shaved the jungle and made a stinking camp in the middle of it. Radios blaring. It was disgusting.”

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Klaus Kinski

On filming Fitzcarraldo.
Fangoria interview

“There isn't one role I'd like to play. There are many and there are none. I've always admitted to being a prostitute. I sell myself for money. I don't have to see myelf up on the screen as Napoleon to feel satisfied about a movie. If you pay me a lot of money, I'll be in your film.”

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Klaus Kinski

Fangoria interview

“I saw Stay as You Are and Tess only. I didn't ask her if she saw every movie I did. I could never think about that. Why do I have to see every movie she did? Why? Sometimes she did movies with people I was bored by. I don't care about this or that director. So if she is so beautiful in a movie, it is because of her, not a director. So why should I see the movie then? As long as I am not blind, I don't need a dog to see. If I am blind, maybe I would like the dog to lead me. I am not blind. I don't have to see her movies. I know my child.”

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Klaus Kinski

On his daughter, Nastassja, as quoted in Denise Worrell (1989), Icons: Intimate Portraits.

“Working with a great director is wonderful for an actor because it means that you're not forced to take the advice of an idiot.”

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Klaus Kinski

Fangoria interview

“I want to be free, independent. Free of all coercion. Free of any need to rely on other people. I have no credit cards, nor do I want any. I toss the cash on the table. I leave others in peace and I want to be left in peace. I spend my nights sleeping on the ground in the forest. I embrace trees as I have done all my life. I smell their bark and kiss it. I lay my face on the moss and breathe in the spicy aroma of fruitfulness as if I were lying on a woman's belly.”

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Klaus Kinski

Zdroj: Kinski Uncut : The Autobiography of Klaus Kinski (1996), p. 305

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