Ad Reinhardt citáty

Ad Reinhardt byl americký malíř.

✵ 24. prosinec 1913 – 30. srpen 1967
Ad Reinhardt: 24   citátů 0   lajků

Ad Reinhardt citáty a výroky

„Neobjektivní, nepreprezentativní, nefigurativní, neimaginární, neexpresionistické, nesubjektivní.“

O minimalistických obrazech Source: [Beckettová, Wendy, 2002, Toulky světem malířství, Levné knihy KMa, 4, 378, 80-7321-260-9]

„Čím méně se umělec vnucuje do své malby, tím čistší a jasnější jsou jeho cíle.“

Originál: (en) The less an artist obtrudes himself in his painting, the purer and clearer his aims.
Zdroj: [1984, Light Rays: James Joyce and Modernism, New Horizon Press, 215, en]

Ad Reinhardt: Citáty anglicky

“The artists is responsible for his history and his nature, his history is part of his nature.”

after 1967 - posthumous
Zdroj: Gerhard Richter, Doubt and belief in painting, Robert Storr, MOMA, New York, 2003, p. 32 note 1.

“My painting represents the victory of the forces of darkness and peace over the powers of light and evil. [1957, reacting on a remark of Picasso ]”

1956 - 1967
Zdroj: Pax, no. 13, 1960; as quoted in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York 1990, p. 151

“The one thing to say about art is that it is one thing. Art is art-as-art and everything else is everything else. Art as art is nothing but art. Art is not what is not art.”

Quote of Ad Reinhardt (1963); as cited in: Joseph Kosuth, (1969), " Art after Philosophy http://www.ubu.com/papers/kosuth_philosophy.html"
1956 - 1967
Varianta: The one thing to say about art is that it is one thing. Art is art-as-art and everything else is everything else. Art as art is nothing but art. Art is not what is not art.

“vagueness is a 'romantic' value.... an emphasis on geometry is an emphasis on the 'known', on order and knowledge.”

Quote of Ad Reinhardt in: Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 107
after 1967 - posthumous

“Who said last, 'A cleaner New York-school is Up To You?”

1956 - 1967
Zdroj: the 'Ad Reinhardts Papers', Archives of American Art, microfilm no. N/69-103, frame no. 285

“Study the old masters. Look at nature. Watch out for armpits'. [in 1956, Reinhardt is quoting Paul Cézanne here freely]”

1956 - 1967
Zdroj: Pax, no. 13, 1960; as quoted in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York 1990, p. 150

“An abstract painting will react to you if you react to it. You get from it what you bring to it. It will meet you half way but no further. It is alive if you are. It represents something and so do you. YOU, SIR, ARE A SPACE, TOO.”

Quote from the six page comic How to Look at Anvolved in some ideas. In painting – for me – no fooling-the-eye, no window-hole-in-the wall, no illusions, no representations, no associations, no distortions, no paint-caricaturing, no dream pictures of dripping, no delirium trimmings, no sadism or slashing, no therapy, no kicking-the-effigy, no clowning, no acrobatics, no heroics, no self-pity, no guilt.. ..no abstraction of everything, no nonsense, no involvements, no confusing painting with everything that is no painting.


Zdroj: Contemporary American Painting, University rt, in Arts & Architecture, January 1947. note: 1940 - 1955,
en.wikiquote.org - Ad Reinhardt / Quotes of Ad Reinhardt / 1940 - 1955

“Voyaging into the night, one knows exactly where, on a known vessel, an absolute harmony with the elements of the unreal. [1959, reacting on a remark of Robert Motherwell ]”

1956 - 1967
Zdroj: Pax, no. 13, 1960; as quoted in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York 1990, p. 152

“Voyaging into the night, one knows exactly where, on a known vessel, an absolute harmony with the elements of the unreal.”

1959, reacting on a remark of Robert Motherwell
1956 - 1967
Zdroj: Pax, no. 13, 1960; as quoted in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York 1990, p. 152

“Study the old masters. Look at nature. Watch out for armpits.”

[in 1956, Reinhardt is quoting Paul Cézanne here freely]
1956 - 1967
Zdroj: Pax, no. 13, 1960; as quoted in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York 1990, p. 150

“What greater challenge today.... to disorder and insensitivity; what greater propaganda for integration than this emotionally intense, dramatic division of space?”

quote in 1943, discussing the art of Piet Mondrian
Quote of Ad Reinhardt in: Abstract Expressionism, Davind Anfam, Thames and Hudson Ltd London, 1990, p. ?
1940 - 1955

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