Pierre Bonnard citáty
Pierre Bonnard
Datum narození: 3. říjen 1867
Datum úmrtí: 23. leden 1947
Pierre Bonnard (3 October 1867 – 23 January 1947) was a French painter and printmaker, as well as a founding member of Les Nabis.
Pierre Bonnard byl francouzský malír a grafik a také zakládající člen skupiny skupiny Les Nabis, v češtině jsou označováni jako Nabisté.
Podobní autoři
Claude Monet8
francouzský impresionalistický malíř
Georges Rouault9
francouzský malíř
Jean-Baptiste Camille Corot1
francouzský malíř a grafik v rytině
Henri de Toulouse-Lautrec20
francouzský malíř
Honoré Daumier1
francouzský grafik, karikaturista, malíř a sochař
Henri Matisse6
francouzský umělec
Vladimír Boudník3
český grafik a malíř
Jiří Anderle1
český bubeník, grafik a malíř
Emil Filla1
český malíř a sochařCitáty Pierre Bonnard
„My first pictures were done by instinct, the others with more method perhaps. Instinct which nourishes method can often be superior to a method which nourishes instinct.“
— Pierre Bonnard
quoted by his brother-in-law Claude Terrasse, in 'Introduction' of Pierre Bonnard, John Rewald; MoMA - distribution Simon & Schuster, New York, 1918
„I have all my subjects to hand. I go back and look at them. I take notes. Then I go home. And before I start painting I reflect, I dream.“
— Pierre Bonnard
quoted in Bonnard; by Sarah Witfield and John Elderfield; Harry N. Abrams Inc., New York, 1998 - ISBN 0-8109-4021-3, p. 9
Bonnard did not paint from life but rather drew his subject and made notes on the colors. He then painted the canvas in his studio from the sketches and his notes
„I work in the mornings and in the afternoons I go to the Latin Quarter. It is a long way from the Batignolles district to the Pantheon: Fortunately there is the Metro. It amuses me to see the people squashed together, and among them are some pretty faces which I draw in the evenings, from memory, in my sketchbook.“
— Pierre Bonnard
letter to his grandmother, c. 1883; as cited in Pierre Bonnard, by John Rewald; MoMA -distribution, Simon & Schuster, New York, 1918, p. 12 (note 1)
„It would bother me if my canvases were stretched onto a frame. I never know in advance what dimensions I am going to choose.“
— Pierre Bonnard
Dita Amory, in Pierre Bonnard: The Late Still Lifes and Interiors; Yale University Press, New Haven, 2009 - ISBN 978-0-300-14889-3, p. 4
Bonnard started to paint usually on an unstretched canvas
„I should have sent you news of myself long ago, for I know how much pleasure one derives from a letter during one's first days in the regiment. One needs it to be reminded that one is something more than a registered number and that in the past one's existence was different from that of beast. Anyway that is how I felt about the army. I was unable to connect my present existence with my former life as a civilian.... Here [in Paris in his studio in La Rue Pigalle] I am leading a studious and quite exemplary life... I am working on an important picture which is progressing well and which will be exhibited, I hope, at the [Salon des] 'Indépendants. In addition I am planning to do a screen which will also be shown at the exhibition. Otherwise nothing is happening. I may go with Vuillard to see a music publisher, but I do not expect any success as yet in that direction. I have abandoned chromolithography (ouf!) for the moment, but I shall take it up again whenever I feel impelled to interrupt my oil painting, in order to vary my pleasure's.“
— Pierre Bonnard
in his letter to Lugné-Poë, End of 1890; as quoted in Pierre Bonnard, by John Rewald; MoMA - distribution, Simon & Schuster, New York, 1918, p. 17 - note 11
Lugné-Poe was just called then in the French army; Bonnard had left the army already, c. one year ago
