Alexander Calder citáty (41 citátů, strana 2)

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“Wherever there is a main issue the elimination of other things which are not essential will make for a stronger result. In the earlier static abstract sculptures I was most interested in space, vectoral quantities, and centers of differing densities.”

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Alexander Calder

1930s, Statement from Modern Painting and Sculpture (1933)
Zdroj: en.wikiquote.org - Alexander Calder / Quotes / 1930s / Statement from Modern Painting and Sculpture (1933)

“Therefore, why not plastic forms in motion? Not a simple translatory or rotary motion but several motions of different types, speeds and amplitudes composing to make a resultant whole. Just as one can compose colors, or forms, so one can compose motions.”

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Alexander Calder

1930s, Statement from Modern Painting and Sculpture (1933)

“It is a matter of harmonizing these movements, thus arriving at a new possibility for beauty.”

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Alexander Calder

1930s, It Shall Move - On Mobile Sculptures (1932)

“As truly serious art must follow the greater laws, and not only appearances, I try to put all the elements in motion in my mobile sculptures.”

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Alexander Calder

1930s, It Shall Move - On Mobile Sculptures (1932)

“We notice the movement of automobiles and beings in the street, but we do not notice that the earth turns. We believe that automobiles go at a great speed on a fixed ground; yet the speed of the earth's rotation at the equator is 40,000 km every 24 hours.”

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Alexander Calder

1930s, It Shall Move - On Mobile Sculptures (1932)

“The various objects of the universe may be constant, at times, but their reciprocal relationships always vary.”

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Alexander Calder

1930s, It Shall Move - On Mobile Sculptures (1932)

“How can art be realized? Out of volumes, motion, spaces bounded by the great space, the universe. Out of different masses, tight, heavy, middling - indicated by variations of size or color - directional line - vectors which represent speeds, velocities, accelerations, forces, etc...”

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Alexander Calder

these directions making between them meaningful angles, and senses, together defining one big conclusion or many. Spaces, volumes, suggested by the smallest means in contrast to their mass, or even including them, juxtaposed, pierced by vectors, crossed by speeds. Nothing at all of this is fixed. Each element able to move, to stir, to oscillate, to come and go in its relationships with the other elements in its universe. It must not be just a fleeting moment but a physical bond between the varying events in life. Not extractions, but abstractions. Abstractions that are like nothing in life except in their manner of reacting.
1930s, How Can Art Be Realized? (1932)

“One of the canons of the futuristic painters, as propounded by Modigliani, was that objects behind other objects should not be lost to view, but should be shown through the others by making the latter transparent. The wire sculpture accomplishes this in a most decided manner.”

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Alexander Calder

1920s, Excerpt, Statement on Wire Sculpture (1929)

“Before, the wire studies were subjective, portraits, caricatures, stylized representations of beasts and humans. But these recent things have been viewed from a more objective angle and although their present size is diminutive, I feel that there is no limitation to the scale to which they can be enlarged....”

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Alexander Calder

1920s, Excerpt, Statement on Wire Sculpture (1929)

“In the Spring of 1926 I made some toy animals of curtain rods, broom handles, etc., and wire. Later, a few dolls, which I animated.... In the Winter of 1927–1928 I made some more toys for a friend to take home as gifts, and having shown them to De Creeft a Spanish sculptor with a very acute sense of humor, I was urged by him to make some more toys and to expose them at the Salon des Humoristes. I did this and then began to make more elaborate toys, with articulation, in which the movements got more and more realistic, always adhering to the same basic materials. In this way I have developed quite an elaborate circus of which animation is one of the chief characteristics....”

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Alexander Calder

1920s, Excerpt, Statement on Wire Sculpture (1929)