André Breton citáty

strana 3

„Mraky rychle mizely a nechávaly hvězdy umírat. Noc vyschla.“

„Slova se navzájem milují.“

„Člověk, který si nedokáže představit koně cválajícího na rajčeti, je idiot.“

„Přeji si, abyste byli milováni až k šílenství.“

„Nedobrovolná samota je opuštěnost.“

„První dech lásky je posledním dechem rozumu.“

„Jen povrchní láska je romantická, velká je tragická.“

„To, co milujeme, nás neukolébává, ale burcuje.“

„Láska bez koncepce, to je vlastně antikoncepce.“

„Sebeláska - to znamená nutit duši jásat nad sebou samým a ruce aby tleskaly nad vypískanou komedií svého já.“

„Srdcem lze tušit, jen rozumem předvídat.“

„Chci, aby lidé mlčeli, když přestanou cítit.“

„Láska ženy proměňuje tělo ženy z kůže a tuku v hedvábí.“

„Vracíme-li se k sobě, doporučuje se použít sjízdných cest.“

“Let me come back again to the waking state. I have no choice but to consider it a phenomenon of interference. Not only does the mind display, in this state, a strange tendency to lose its bearings (as evidenced by the slips and mistakes the secrets of which are just beginning to be revealed to us), but, what is more, it does not appear that, when the mind is functioning normally, it really responds to anything but the suggestions which come to it from the depths of that dark night to which I commend it.”

“In short it is my concern to emphasize that Gorky is, of all the surrealist artists, the only one who maintains direct contact with nature – sit down to paint before her. Furthermore, it is out of the question that he would take the expression of this nature as an end in itself – rightly he demands of her that she provide sensations that can serve as springboards for both knowledge and pleasure in fathoming certain profound states of mind... Here for the first time nature is treated as a cryptogram. The artist has a code by reason of his own sensitive anterior impressions, and can decode nature to reveal the very rhythm of life, in the discovery of the very rhythm of life.”

“In homage to Guillaume Apollinaire [famous French poet, art-critic, writer and defender of Cubism], who had just died and who, on several occasions, seemed to us to have followed a discipline of this kind, without however having sacrificed to it any mediocre literary means, Soupault and I baptized the new mode of pure expression which we had at our disposal and which we wished to pass on to our friends, by the name of SURREALISM. I believe that there is no point today in dwelling any further on this word and that the meaning we gave it initially has generally prevailed over its Apollinarian sense.”

“In those days, a man at least as boring as I, Pierre Reverdy, was writing: 'The image is a pure creation of the mind. It cannot be born from a comparison but from a juxtaposition of two more or less distant realities. The more the relationship between the two juxtaposed realities is distant and true, the stronger the image will be – the greater its emotional power and poetic reality..' (in the 'Nord-Sud', March 1918). These words, however sibylline for the uninitiated, were extremely revealing, and I pondered them for a long time.”

“Children set off each day without a worry in the world. Everything is near at hand; the worst material conditions are fine. The woods are white or black, one will never sleep.”

“Apollinaire asserted that Chirico's first paintings were done under the influence of kinesthetic disorders (migraines, colic, etc.)”

“After you have settled yourself in a place as favorable as possible to the concentration of your mind upon itself, have writing materials brought to you. Put yourself in as passive, or receptive, a state of mind as you can. Forget about your genius, your talents, and the talents of everyone else. Keep reminding yourself that literature is one of the saddest roads that lead to everything. Write quickly, without any preconceived subject, fast enough so that you will not remember what you're writing and be tempted to reread what you have written. The first sentence will come spontaneously, so compelling is the truth that with every passing second there is a sentence unknown to our consciousness which is only crying out to be heard.”

“Surrealism is only trying to rejoin the most durable traditions of mankind. Among the primitive peoples art always goes beyond what is conventionally and arbitrarily called the 'real.”

“Truly the eye was made to cast a lineament, a conducting wire between the most heterogeneous things. Such a wire, of maximum ductility, should allow us to understand, in a minimum of time, the relationship which connect, without possible discharge of continuity, innumerable physical and mental structures.... the key (of the mental prison, ed.) lies in a free unlimited pay of analogies....”