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“I think what informs my songwriting is my empathy with that. Maybe that’s what bothers people. It scares them to go to the edge of the well and look in. But it’s what they like also. And wouldn’t you rather feel the pain than not feel anything?”

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Lucinda Williams

On how suicide, sadness and melancholia informs Williams’ songwriting in “Lucinda Williams interview: 'I’ve earned the right to say what I like’” https://www.telegraph.co.uk/culture/music/worldfolkandjazz/10074160/Lucinda-Williams-interview-Ive-earned-the-right-to-say-what-I-like.html in The Telegraph (2013 May 25)

“I was always into different kinds of music but just by default, I was singing and playing acoustic guitar; I didn’t know how to dance or anything. So it would take some time, over a year, for me to kind of progress into the stuff that I ended up doing later, the more Southern soul, country-rock, whatever-you-want-to-call-it kind of thing.”

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Lucinda Williams

On her 1980 album Happy Woman Blues in “Lucinda Williams Looks Back on Every Album She’s Ever Made” https://www.spin.com/2016/02/lucinda-williams-ghosts-of-highway-20-car-wheels-on-a-gravel-road-interview/ in Spin (2016 Feb 25)

“I grew up being aware that I was Southern, and that being a very important thing for me. And being drawn to short story writers, like Flannery O’Connor and Eudora Welty—the surroundings in their stories were so familiar to me, the whole Southern Gothic thing. That world only existed in that part of the country. It’s going to inform the personality of the songs. In a lot of my songwriting, I mention towns and places. It’s a culturally traditional thing in the South to tell stories.”

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Lucinda Williams

On how her Southern heritage informed her songwriting in “Lucinda Williams On the Hard and Sedulous Road to Major Label Success” https://sheshredsmag.com/interview-lucinda-williams/ in She Shreds (2017 Mar 6)