Zdroj: [Beckettová, Wendy, 2002, Toulky světem malířství, Levné knihy KMa, 4, 369, 80-7321-260-9]
Willem de Kooning citáty a výroky
Willem de Kooning: Citáty anglicky
(1980's)as quoted in 'A painter's testament: De Kooning in the Eighties', Robert Storr, Moma-website http://www.moma.org/interactives/exhibitions/1997/dekooning/essay.html, reprinted in 1997
1980's
De Kooning's lecture Trans/formation, at Studio 35, 1950.
1950's
As quoted in Willem De Kooning, 1904-1997: Content as a Glimpse by Barbara Hess, 2004.
1990's & from posthumous publications
De Kooning's speech 'What Abstract Art means to me' on the symposium 'What is Abstract At' - at the Museum of Modern Art, New York, 5 February, 1951, n.p.
1950's
De Kooning's speech 'What Abstract Art means to me' on the symposium 'What is Abstract At' - at the Museum of Modern Art, New York, 5 February, 1951, n.p.
1950's
The Renaissance and Order Trans/formation 1, 1951; as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 113.
1950's
In an interview (March 1960) with David Sylvester, edited for broadcasting by the BBC first published in 'Location', Spring 1963; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 47
1960's
interview conducted by David Sylvester for the BBC, 1962; as quoted in Abstract Expressionism: Creators and Critics, edited by Clifford Ross, Abrahams Publishers, New York 1990, p. 49.
1960's
Zdroj: De Kooning's speech 'What Abstract Art means to me' on the symposium 'What is Abstract At' - at the Museum of Modern Art, New York, 5 February, 1951, n.p.
Willem de Kooning (1969) by Thomas B. Hess, Content Is A Glimpse, excerpts from an interview with David Sylvester, (BBC), Location, vol.1 no.1 Spring 1963.
1960's
“Jackson has broken the ice for us.”
Quote from Abstract Expressionism, David Anfam, Thames and Hudson Ltd London, 1990, p. 130.
De Kooning's comment on Pollock's drip paintings, first shown at Betty Parsons gallery, 1948
1940's
The impact of Chaim Soutine (1893-1943): de Kooning, Pollock, Dubuffet, Bacon, publisher: Hatje Cantz, Galerie Gmurzynska, Cologne (Köln), 2001.
Answer on the question who is his favourite artist, probably made around 1977.
1990's & from posthumous publications
interview conducted by David Sylvester for the BBC, 1962; as quoted in Abstract Expressionism: Creators and Critics, edited by Clifford Ross, Abrahams Publishers, New York 1990, p. 45.
1960's
Artist Club, 22 February 1952, as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 102
1950's
ART news, Vol. 47, no 9, January 1949
1940's
De Kooning's speech 'What Abstract Art means to me' on the symposium 'What is Abstract At' - at the Museum of Modern Art, New York, 5 February, 1951, n.p.
1950's
“The texture of experience is prior to everything else.”
Abstract Expressionism, David Anfam, Thames and Hudson Ltd London, 1990, p. 150.
1948, in the period of making his painting 'Excavation'
1940's
Quote of De Kooning from an interview (March 1960) with David Sylvester, edited for broadcasting by the BBC first published in 'Location', Spring 1963; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 49
1960's
Quote from film script Sketchbook 1, Time inc; 1960.
1960's
Willem de Kooning, MOMA Bull, pp. 7,6; as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 135.
1980's
interview conducted by David Sylvester for the BBC, 1962; as quoted in Abstract Expressionism: Creators and Critics, edited by Clifford Ross, Abrahams Publishers, New York 1990, p. 50.
1960's
De Kooning's speech 'What Abstract Art means to me' on the symposium 'What is Abstract At' - at the Museum of Modern Art, New York, 5 February, 1951, n.p.
1950's
Quote of de Kooning, in: Modern Artists in America, First Series, R. Motherwell, Ad Reinhardt and B. Karpel eds., 1952 p. 12.
1950's
Quote from De Kooning's lecture Trans/formation, at Studio 35, 1950.
1950's
Willem de Kooning, MOMA Bull, pp. 7,6, as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 134.
1980's
Willem de Kooning, MOMA Bull., pp. 4, 6; as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 104.
1980's
interview conducted by David Sylvester for the BBC, 1962; as quoted in Abstract Expressionism: Creators and Critics, edited by Clifford Ross, Abrahams Publishers, New York 1990, p. 45.
1960's
Interview conducted by David Sylvester for the BBC, 1962; as quoted in Abstract Expressionism: Creators and Critics, edited by Clifford Ross, Abrahams Publishers, New York 1990, p. 48.
1960's
De Kooning’s lecture Trans/formation at Studio 35, 1950.
1950's
“It is disastrous to name ourselves.”
Quoted in 'A constant searching of oneself' in Abstract Expressionism, Barbara Hess, Taschen, p. 6
short answer of Willem de Kooning in a panel discussion in 1950 when the former director of the New York museum of modern Art, Alfred H. Barr, Jr. demanded: We should have a name for which we can blame the artists – for once in history!
1950's