Rollo May citáty (137 citátů, strana 4) | Citáty slavných osobností

Rollo May: 137 citátů 0 lajků

Rollo May citáty a výroky

„Spíše než na někoho žárlit měli bychom svou pozornost směřovat k sobě samým a zpytovat, proč si svého já tak povážlivě málo vážíme.“

Rollo May

„Pokud nevyjádříte své vlastní originální myšlenky, pokud nebudete naslouchat své vlastní bytosti, zradíte sami sebe.“

Rollo May

O myšlenkách

Rollo May: Citáty anglicky

“Tenderness emerges from the fact that the two persons, longing, as all individuals do, to overcome the separateness and isolation to which we are all heir because we are individuals, can participate in a relationship that, for the moment, is not of two isolated selves but a union.”

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Rollo May kniha Love and Will

Zdroj: Love and Will (1969), p. 313

“The crucial question which confronts us in psychology and other aspects of the science of man is precisely this chasm between what is abstractly true and what is existentially real for the given living person.”

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Rollo May

Zdroj: Existence (1958), p. 13; also published in The Discovery of Being : Writings in Existential Psychology (1983), Part II : The Cultural Background, Ch. 5 : Kierkegaard, Nietzsche, and Freud, p. 52

“It is highly significant, and indeed almost a rule, that moral courage has its source in identification through one's own sensitivity with the suffering of one's fellow human beings.”

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Rollo May

Zdroj: The Courage to Create (1975), Ch. 1 : The Courage to Create, p. 16

“This passion for form is a way of trying to find and constitute meaning in life. And this is what genuine creativity is. Imagination, broadly defined, seems to me to be a principle in human life underlying even reason, for the rational functions, according to our definitions, can lead to understanding — can participate in the constituting of reality — only as they are creative. Creativity is thus involved in our every experience as we try to make meaning in our self-world relationship.”

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Rollo May

Zdroj: The Courage to Create (1975), Ch. 7 : Passion for Form, p. 134

“Freedom is man's capacity to take a hand in his own development. It is our capacity to mold ourselves.”

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Rollo May

Zdroj: Man’s Search for Himself (1953), p. 138

“Artists encounter the landscape they propose to paint — they look at it, observe it from this angle and that. They are, as we say, absorbed in it. Or, in the case of abstract painters, the encounter may be with an idea, an inner vision, that in turn may be led off by the brilliant colors on the palette or the inviting rough whiteness of the canvas.”

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Rollo May

Ch 2 : The Nature of Creativity, p. 41
The Courage to Create (1975)

“Those who present directly and immediately the new forms and symbols are the artists — the dramatists, the musicians, the painters, the dancers, the poets, and those poets of the religious sphere we call saints. They portray the new symbols in the form of images — poetic, aural, plastic, or dramatic, as the case may be. They live out their imaginations.”

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Rollo May

Zdroj: The Courage to Create (1975), Ch. 1 : The Courage to Create, p. 22

“The human being cannot live in a condition of emptiness for very long: if he is not growing toward something, he does not merely stagnate; the pent-up potentialities turn into morbidity and despair, and eventually into destructive activities.”

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Rollo May

Zdroj: Man’s Search for Himself (1953), p. 24

“There is no meaningful "yes" unless the individual could also have said "no."”

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Rollo May

Zdroj: Power and Innocence (1972), Ch. 11 : The Humanity of the Rebel

“It is an old and ironic habit of human beings to run faster when we have lost our way; and we grasp more fiercely at research, statistics, and technical aids in sex when we have lost the values and meaning of love.”

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Rollo May kniha Love and Will

Zdroj: Love and Will (1969), Ch. 1 : Introduction : Our Schizoid World, p. 15

“In the winter of 1841 Schelling gave his famous series of lectures at the University of Berlin before a distinguished audience including Kierkegaard, Burckhardt, Engels, Bakunin. Schelling set out to overthrow Hegel, whose vast rationalist system including the identification of abstract truth with reality and the bringing of all history into an “absolute whole,” held immense and dominant popularity in the Europe of the middle of the nineteenth century. – 1844 Kierkegaard published Philosophical Fragments, and two years later he wrote the declaration of independence for existentialism, Concluding Unscientific Postscript to Philosophical Fragments. Also in 1844 there appeared the second edition of Schopenhauer’s The world as will and idea,.. central emphasis “will” along with “idea” -- two related works by Marx 1844-45 – “attacked abstract truth’ as “ideology” “using Hegel as his whipping boy” “men and groups bring truth into being” “money economy turns people into things””

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Rollo May

Zdroj: The Discovery of Being (1983), p. 54

“When I fall in love, I feel more valuable and I treat myself with more care. We have all observed the hesitant adolescent, uncertain of himself, who, when he or she falls in love, suddenly walks with a certain inner assuredness and confidence, a mien which seems to say, "You are looking at somebody now." … this inner sense of worth that comes with being in love does not seem to depend essentially on whether the love is returned or not.”

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Rollo May kniha Love and Will

Zdroj: Love and Will (1969), p. 84

“The creative process must be explored not as the product of sickness, but as representing the highest degree of emotional health, as the expression of the normal people in the act of actualizing themselves.”

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Rollo May

Zdroj: The Courage to Create (1975), Ch. 1 : The Courage to Create, p. 40

“You can live without a father who accepts you, but you cannot live without a world that makes some sense to you.”

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Rollo May

Zdroj: The Courage to Create (1975), Ch. 7 : Passion for Form, p. 127

“While the daimonic cannot be said to be evil in itself, it confronts us with the troublesome dilemma of whether it is to be used with awareness, a sense of responsibility and the significance of life, or blindly and rashly.”

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Rollo May kniha Love and Will

Zdroj: Love and Will (1969), p. 129

“Hate is not the opposite of love; apathy is.”

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Rollo May kniha Love and Will

Zdroj: Love and Will (1969), Ch. 1 : Introduction : Our Schizoid World, p. 29

“In a world where numbers inexorably take over as our means of identification, like flowing lava threatening to suffocate and fosilize all breathing life in its path; in a world where "normality" is defined as keeping your cool; where sex is so available that the only way to preserve any inner center is to have intercourse without committing yourself — in such a schizoid world, which young people experience more directly since they have not had time to build up the defenses which dull the senses of their elders, it is not surprising that will and love have become increasingly problematic and even, as some people believe, impossible of achievement.”

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Rollo May kniha Love and Will

Zdroj: Love and Will (1969), Ch. 1 : Introduction : Our Schizoid World, p. 32

“Technology is the knack of so arranging the world that we do not experience it.”

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Rollo May

Max Frisch in Homo Faber : A Report (1957) Pt. 2
Misattributed

“There is considerable danger that psychoanalysis, as well as other forms of psychotherapy and adjustment psychology, will become new representations of the fragmentation of man, that they will exemplify the loss of the individual's vitality and significance, rather than the reverse, that the new techniques will assist in standardizing and giving cultural sanction to man's alienation from himself rather than solving it, that they will become expressions of the new mechanization of man, now calculated and controlled with greater psychological precision and on a vaster scale of unconscious and depth dimensions — that psychoanalysis and psychotherapy in general will become part of the neurosis of our day rather than part of the cure. This would indeed be a supreme irony of history. It is not alarmism nor the showing of unseemly fervor to point out these tendencies, some of which are already upon us. It is simply to look directly at our historical situation and to draw unflinchingly the implications.”

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Rollo May

Zdroj: Existence (1958), p. 35; also published in The Discovery of Being: Writings in Existential Psychology (1983), Part II : The Cultural Background, Ch. 5 : Kierkegaard, Nietzsche, and Freud, p. 86

“Memory is not just the imprint of the past time upon us; it is the keeper of what is meaningful for our deepest hopes and fears.”

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Rollo May

Zdroj: Man’s Search for Himself (1953), p. 220

“Lacking positive myths to guide him, many a sensitive contemporary man finds only the model of the machine beckoning him from every side to make himself over into its image.”

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Rollo May

Zdroj: Psychology and the Human Dilemma (1967), p. 30

“Note the startling regularity through history with which society martyrs the rebel in one generation and worships him in the next. Socrates, Jesus, William Blake, Buddha, Krishna — the list is as endless as it is rich.”

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Rollo May

Zdroj: Power and Innocence (1972), Ch. 11 : The Humanity of the Rebel

“If you do not express your own original ideas, if you do not listen to your own being, you will have betrayed yourself. Also, you will have betrayed your community in failing to make your contribution.”

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Rollo May

Zdroj: The Courage to Create (1975), Ch. 1 : The Courage to Create, p. 12

“Existential psychotherapy is the movement which, although standing on one side on the scientific analysis owed chiefly to the genius of Freud, also brings back into the picture the understanding of man on the deeper and broader level — man as the being who is human. It is based on the assumption that it is possible to have a science of man which does not fragmentize man and destroy his humanity at the same moment as it studies him. It unites science and ontology.”

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Rollo May

Zdroj: Existence (1958), p. 36; also published in The Discovery of Being : Writings in Existential Psychology (1983), Part II : The Cultural Background, Ch. 5 : Kierkegaard, Nietzsche, and Freud, p. 87