Toni Morrison citáty
Toni Morrison
Datum narození: 18. únor 1931
Toni Morrisonová, vlastním jménem Chloe Anthony Wofford je americká spisovatelka, redaktorka a profesorka. Jedná se o nositelku Nobelovy ceny za literaturu. Její knihy jsou známy díky užívání epických témat, živých dialogů a propracovaných charakteristik postav afroamerického původu. Mezi její nejznámější knihy patří Velmi modré oči, Píseň o Šalamounovi nebo Milovaná, za kterou získala v roce 1988 Pulitzerovu cenu. Americkým časopisem s názvem Ladies' Home Journal byla vybrána mezi třicet nejmocnějších žen v Americe.
Podobní autoři
Edna Ferber2
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Veronica Roth9
americká autorka
Mary McCarthy2
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Rita Rudner2
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Alice Baileyová1
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Elizabeth Stone1
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americká spisovatelka a filmová hvězdaCitáty Toni Morrison
„Wanna fly, you got to give up the shit that weighs you down.“
— Toni Morrison, Song of Solomon
Context: Too much tail. All that jewelry weighs it down. Like vanity. Can't nobody fly with all that shit. Wanna fly, you got to give up the shit that weighs you down.
Guitar to Milkman on why a male peacock can't fly much better than a chicken. Song of Solomon (1977)
„Freeing yourself was one thing, claiming ownership of that freed self was another.“
— Toni Morrison, Beloved
Context: Bit by bit, at 124 and in the Clearing, along with others, she had claimed herself. Freeing yourself was one thing; claiming ownership of that freed self was another. <!-- ~ Ch. 9
„At some point in life the world's beauty becomes enough. You don't need to photograph, paint or even remember it. It is enough. No record of it needs to be kept and you don't need someone to share it with or tell it to. When that happens — that letting go — you let go because you can.“
— Toni Morrison
Tar Baby (1981). <!-- p. 245 -->
„Language can never "pin down" slavery, genocide, war. Nor should it yearn for the arrogance to be able to do so. Its force, its felicity is in its reach toward the ineffable.“
— Toni Morrison
Context: Language can never "pin down" slavery, genocide, war. Nor should it yearn for the arrogance to be able to do so. Its force, its felicity is in its reach toward the ineffable. Be it grand or slender, burrowing, blasting, or refusing to sanctify; whether it laughs out loud or is a cry without an alphabet, the choice word, the chosen silence, unmolested language surges toward knowledge, not its destruction. But who does not know of literature banned because it is interrogative; discredited because it is critical; erased because alternate? And how many are outraged by the thought of a self-ravaged tongue?
