Francisco Goya citáty
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Francisco José de Goya y Lucientes byl španělský malíř a rytec romantismu.

✵ 30. březen 1746 – 16. duben 1828  •  Další jména Francisco José de Goya y Lucientes, Francisco J. de Goya y Lucientes, E Lucientes Francisco José Goya
Francisco Goya foto
Francisco Goya: 51 citátů27 lajků

Francisco Goya nejznámější citáty

„Fantazie opuštěná rozumem plodí nemožné stvůry. Spojena s ním je matkou umění a zdrojem jejich zázraků.“

Francisco Goya

Zdroj: Český rozhlas 3 – Vltava 15. května 2008; pořad Španělský rok

Francisco Goya citáty a výroky

„Klid v lásce je náznak jejího pozvolného uvadání.“

Francisco Goya

Zdroj: Křížovka a hádanka 12/2002

Francisco Goya: Citáty anglicky

“I had established an enviable scheme of life. I refused to dance attendance in the ante-chambers of the great. If anyone wanted something from me he had to ask. I was much run after, but if the person was not of rank, or a friend, I worked [painted] for nobody.”

Francisco De Goya

letter to his friend Don Martín Zapater, c. 1789; from: Francisco Zapater y Gomez : Goya; Noticias biograficas, Zaragoza, 1868, La Perse Verencia; as quoted in Francisco Goya, Hugh Stokes, Herbert Jenkins Limited Publishers, London, 1914, p. 182
1780s

“Painting (like poetry) chooses from universals what is most apposite. It brings together in a single imaginery being circumstances and characteristics which occur in nature in many different persons.”

Francisco De Goya

the announcement in the paper of 6. Feb. 1799 was necessary because Goya was unable to find regular bookshops to sell the Capricho-prints. That year 300 sets were printed, which meant 24.000 prints!! - without the mis-prints and proof-prints.
The Caprichos was the name of a serie of eigthy prints that Goya entitled 'Los Caprichos'; Goya made them in a combination of regular etching & aquatint technique. Etching gave lines by scratching with needles in the copper-plate. Aquatint gave fields of flat watercolor wash, a uniform tone composed of tiny grains and speckles rather than lines (as Robert Hughes explains) in the same book, p. 176-177/207-208)
1790s, Goya's announcement about 'Los Caprichos', 6 Febr. 1799

“Caption, plate 43 of Los Caprichos etching and aquatint, 1796-97; Museo Nacional del Prado, Madrid; Robert Hughes: in Goya. Borzoi Book - Alfred Knopf, New York, 2003, p. 73”

Francisco De Goya

El sueño de la razón produce monstruos.
The 'monsters' in this etching are bats and owls, flying around the sleeper in his dream
1790s

“My health has not improved. Often I get so excited that I cannot bear with myself. Then again I become calm, as I am at this present moment of writing, although I am already fatigued. Next Monday, if God permit, I will go to a bull-fight, and I wish you were able to accompany me.”

Francisco De Goya

letter to his friend Zapater, April 23, 1794; in Goya; Noticias biograficas, Francisco Zapater y Gomez, Zaragoza, 1868; first published in 'La Perseverencia', p. 53; as quoted in Francisco Goya, Hugh Stokes, Herbert Jenkins Limited Publishers, London, 1914, p. 203-204
1790s

“I tell you that I have nothing more to wish for. They were extremely pleased with my pictures, and expressed great satisfaction not only the King, but the Prince as well. Neither I nor my works deserve such recognition.”

Francisco De Goya

letter to his friend Don Martín Zapater, early Jan. 1779 https://www.wikidata.org/wiki/Q3915977 and https://nl.wikipedia.org/wiki/Bestand:Francisco_de_Goya_-_Portrait_of_Mart%C3%ADn_Zapater_-_Google_Art_Project.jpg; as quoted in Francisco Goya, Hugh Stokes, Herbert Jenkins Limited Publishers, London, 1914, p. 110 <br class="br">Early in January, 1779, Goya was presented to the Spanish King and the heir apparent, and kissed hands. They appreciated his pictures (cartoons), Goya made as designs for the royal tapestry factory, to cover the huge walls of the king&#x27;s palace https://commons.wikimedia.org/wiki/Palacio_Real_de_Madrid <br class="br">1770s

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