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“I was at a dinner party at Steve Martin's house not too long ago. Some very funny people were there - Steve, Marty Short, the whole gang. We sat around the table, like eight of us, and we laughed so hard that we were just sitting there laughing and crying. And I thought, 'This is great. This is what it's like when life is really good. Sitting around with people of that quality and that caliber, people being funny. Smart and funny.”

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Nathan Lane

It's great.
Amy Selwyn, Associated Press (December 21, 1997) "Nathan Lane: The String's The Thing", The Orlando Sentinel, p. F1.

“I think of myself as an actor and not a movie star. I like doing movies; I enjoy it. But, essentially, I'm a theater actor. That's the only place I feel like I actually am a star. In the theater, I can put people in the seats and sell tickets.”

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Nathan Lane

Amy Longsdorf (January 25, 2000) "Isnt' He Great? - Hollywood Sure Thinks So, But Nathan Lane Is Still More Comfortable Onstage Than On Celluloid", The Record, p. Y1.

“I can remember seeing the movie for the first time at a revival house in L. A. and laughing with everyone else, and never imagining that I would be doing Max one day, even though by then I had already memorized the entire movie.”

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Nathan Lane

On his role in The Producers — reported in Amy Longsdorf (December 25, 2005) "Lane, Broderick play off each other", The Record, p. E01.

“There's a freedom there and an understanding of my career and the things I've done. I'm seen here as primarily a comic actor, which is OK, but I can go to New York and I do something that's very emotional. It would be lovely at some point to do something like that on film.”

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Nathan Lane

Betsy Pickle (December 17, 1999) "If there's a mouse, call Lane - Actor didn't 'paws' before taking on film", The Knoxville News-Sentinel, p. 4.

“There isn't anyone else like Nathan. He is able to express more in a look or a word than most actors I've ever worked with.”

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Victor Garber — reported in Maureen Dezell (October 19, 2003) "Nathan Lane Goes Beyond Broadway", The Boston Globe, p. N1.
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“A sitcom is the closest thing for me to doing stage because you work in front of an audience, and if it's well written it can be very satisfying.”

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Sunday Tasmanian staff (January 4, 1998) "This Is A Very Mice Story!", Sunday Tasmanian, p. 037.

“I guess there's some sort of unspoken show business rule, [speaks in British accent] 'You do the theater, and then you move into television, and then, of course, that is your steppingstone to film stardom.' I've done it every which way. I've done theater for many, many years and then had some success in films. I would do television sporadically. I thought this was a good time to try it.”

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Nathan Lane

On his role in the television series Encore! Encore! — reported in Susan King, Los Angeles Times (October 27, 1998) "In Sitcom, Nathan Lane Isn't Taking Steppingstones In Order", St. Louis Post-Dispatch, p. D6.

“I think it really is all about technique, but it's where the intersection of acting and singing sort of meets. There has to be a musicality to the delivery of a line of dialogue that gives it impact. Somebody like Nathan Lane understands that. It's in his bones really. He can deliver a line five different ways, and each one has incredible impact and intonation and rhythm.”

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Nathan Lane

Rob Minkoff, on Lane's ability with voice acting — reported in Evan Henerson (July 19, 2002) No Vocal Yokels - When Animated Characters Need That Extra Dimension, Stars Step Up To The Mic", Daily News of Los Angeles, p. U6.
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“My oldest brother used to take me to the theater. The first play he took me to see was 'Black Comedy,' then he took me to see 'Butley.' We'd see all these British plays. And 'Hello, Dolly,' with Pearl Bailey. I was unconsciously thinking, 'Gee, I would love to be able to do that.”

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Ron Weiskind, Pittsburgh Post-Gazette (December 21, 1997) "Lane can't stop his career or his repartee", Mobile Register, p. E3.

“The more competition, the better. I hope to get snubbed again this year.”

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Nathan Lane

On the possibility of winning a Tony Award for his performance in A Funny Thing Happened on the Way to the Forum — reported in Joan Vadeboncoeur (April 21, 1996) "Grasping For Stardom With The Success of 'Birdcage,' Nathan Lane Has Hopes (Again) For An Elusive Broadway Prize", Syracuse Herald American, p. 25.

“He is a theater animal who is ignited by his synergy with an audience. Audiences are only beginning to see the tip of the iceberg of what Nathan can do.”

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Nathan Lane

Lynne Meadow — reported in Michael Sommers (May 26, 1996) "Nathan In The Fast Lane, From Broadway to `Birdcage' to hosting - the Tonys, 'Forum' star rules", The Star-Ledger, p. 12.
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“I've seen most of Nathan's work, but it was seeing both 'Lisbon Traviata' and 'Laughter on the 23rd Floor' that I realized just what a superb physical comic he was.”

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Mike Nichols — reported in Kenneth M. Chanko, Entertainment News Wire (March 11, 1996) "Dragged Into The Limelight", Press-Telegram, p. D1.
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“When Nathan read aloud one of his lines, 'I'm a lying, despicable crook, but I have no choice. I am a Broadway producer,' they all howled. And then they started to throw money at the project. They all wanted to produce the show.”

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Susan Stroman, on the casting of Lane in The Producers — reported in Iris Fanger (April 13, 2001) "'Stro' is once again at center stage", Christian Science Monitor, p. 20.
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