Nelson Algren citáty

Nelson Algren foto
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Nelson Algren

Datum narození: 28. březen 1909
Datum úmrtí: 9. květen 1981

Reklama

Nelson Algren byl americký romanopisec, povídkář.

Citáty Nelson Algren

Reklama

„Life is hard by the yard, son. But you don't have to do it by the yard. By the inch it's a cinch. And money can't buy everything. For example: poverty.“

— Nelson Algren, A Walk on the Wild Side
Context: But blow wise to this, buddy, blow wise to this: Never play cards with a man called Doc. Never eat at a place called Mom's. Never sleep with a woman whose troubles are worse than your own. Never let nobody talk you into shaking another man's jolt. And never you cop another man's plea. I've tried 'em all and I know. They don't work. / Life is hard by the yard, son. But you don't have to do it by the yard. By the inch it's a cinch. And money can't buy everything. For example: poverty. In jail, Cross-Country Kline to Dove Linkhorn.

Reklama

„The clock in the room above the Safari told only Junkie Time.“

— Nelson Algren
Context: The clock in the room above the Safari told only Junkie Time. For every hour here was Old Junkie's Hour and the walls were the color of all old junkies' dreams: the hue of diluted morphine in the moment before the needle draws the suffering blood. / Walls that went up and up like walls in a troubled dream. Walls like water where no legend could be written and no hand grasp metal or wood. [... ] He was falling between glacial walls, he didn't know how anyone could fall so far away from everyone else in the world. So far to fall, so cold all the way, so steep and dark between those morphine-colored walls of [an addict]'s terrible pit. Frankie Machine above the Club Safari, where drug is sold.

Reklama

„He was falling between glacial walls, he didn't know how anyone could fall so far away from everyone else in the world. So far to fall, so cold all the way, so steep and dark between those morphine-colored walls of [an addict]'s terrible pit.“

— Nelson Algren
Context: The clock in the room above the Safari told only Junkie Time. For every hour here was Old Junkie's Hour and the walls were the color of all old junkies' dreams: the hue of diluted morphine in the moment before the needle draws the suffering blood. / Walls that went up and up like walls in a troubled dream. Walls like water where no legend could be written and no hand grasp metal or wood. [... ] He was falling between glacial walls, he didn't know how anyone could fall so far away from everyone else in the world. So far to fall, so cold all the way, so steep and dark between those morphine-colored walls of [an addict]'s terrible pit. Frankie Machine above the Club Safari, where drug is sold.

„I haven't consciously tried to develop [a style]. The only thing I've consciously tried to do was put myself in a position to hear the people I wanted to hear talk talk.“

— Nelson Algren
Context: Well, I haven't consciously tried to develop [a style]. The only thing I've consciously tried to do was put myself in a position to hear the people I wanted to hear talk talk. I used the police lineup for I don't know how many years. [... ] I was just over on the South Side and got rolled. But they gave me a card, you know, to look for the guys in the lineup, and I used that card for something like seven years.

„Well, here you get to be a writer when there's absolutely nothing else you can do.“

— Nelson Algren
Context: I don't think the isolation of the American writer is a tradition; it's more that geographically he just is isolated, unless he happens to live in New York City. But I don't suppose there's a small town around the country that doesn't have a writer. The thing is that here you get to be a writer differently. I mean, a writer like Sartre decides, like any professional man, when he's fifteen, sixteen years old, that instead of being a doctor he's going to be a writer. And he absorbs the French tradition and proceeds from there. Well, here you get to be a writer when there's absolutely nothing else you can do. I mean, I don't know of any writers here who just started out to be writers, and then became writers. They just happen to fall into it.

„The less he sees of other writers the more of a writer he will ultimately become. When he sees scarcely anyone except other writers, he is ready for New York.“

— Nelson Algren
Context: The American middle class's faith in personal comfort as an end in itself is, in essence, a denial of life. And it has been imposed upon American writers and playwrights strongly enough to cut them off from their deeper sources. The shortcut to comfort is called “specialization,” and in an eye-ear-nose-and-throat doctor this makes sense. But in a writer it is fatal. The less he sees of other writers the more of a writer he will ultimately become. When he sees scarcely anyone except other writers, he is ready for New York.

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