Citáty Robert Graves

„I am YES and I am NO,
Black as pitch and white as snow,
Love me, hate me, reconcile
Hate with love, perfect with vile,
So equal justice shall be done
And life shared between moon and sun.“

—  Robert Graves
Country Sentiment (1920), Context: Then speaking from his double head The glorious fearful monster said "I am YES and I am NO, Black as pitch and white as snow, Love me, hate me, reconcile Hate with love, perfect with vile, So equal justice shall be done And life shared between moon and sun. Nature for you shall curse or smile: A poet you shall be, my son." "The God Called Poetry".

„I do not love the Sabbath,
The soapsuds and the starch,
The troops of solemn people
Who to Salvation march.“

—  Robert Graves
Country Sentiment (1920), Context: I do not love the Sabbath, The soapsuds and the starch, The troops of solemn people Who to Salvation march. I take my book, I take my stick On the Sabbath day, In woody nooks and valleys I hide myself away. To ponder there in quiet God's Universal Plan, Resolved that church and Sabbath Were never made for man. "The Boy out of Church".

„Children, if you dare to think
Of the greatness, rareness, muchness,
Fewness of this precious only
Endless world in which you say
You live, you think of things like this“

—  Robert Graves
Poems, Context: Children, if you dare to think Of the greatness, rareness, muchness, Fewness of this precious only Endless world in which you say You live, you think of things like this: Blocks of slate enclosing dappled Red and green, enclosing tawny Yellow nets, enclosing white And black acres of dominoes, Where a neat brown paper parcel Tempts you to untie the string. "Warning to Children," lines 1–11, from Poems 1929 (1929).

„Love, Fear and Hate and Childish Toys
Are here discreetly blent“

—  Robert Graves
Country Sentiment (1920), Context: Love, Fear and Hate and Childish Toys Are here discreetly blent; Admire, you ladies, read, you boys, My Country Sentiment. "A First Review".

„But old Death, who can't forget,
Waits his time and watches yet,
Waits and watches by the door.“

—  Robert Graves
Fairies and Fusiliers (1917), Context: Through the window I can see Rooks above the cherry-tree, Sparrows in the violet bed, Bramble-bush and bumble-bee, And old red bracken smoulders still Among boulders on the hill, Far too bright to seem quite dead. But old Death, who can't forget, Waits his time and watches yet, Waits and watches by the door. "The Cottage".

„Though I am a poor old man
Worth very little,
Yet I suck at my long pipe
At peace in the sun,
I do not fret nor much regret
That my work is done.“

—  Robert Graves
Country Sentiment (1920), Context: I am an old man With my bones very brittle, Though I am a poor old man Worth very little, Yet I suck at my long pipe At peace in the sun, I do not fret nor much regret That my work is done. "Brittle Bones".

„Nobody is familiar with his own profile, and it comes as a shock, when one sees it in a portrait, that one really looks like that to people standing beside one.“

—  Robert Graves
Claudius the God (1935), Context: Nobody is familiar with his own profile, and it comes as a shock, when one sees it in a portrait, that one really looks like that to people standing beside one. For one's full face, because of the familiarity that mirrors give it, a certain toleration and even affection is felt; but I must say that when I first saw the model of the gold piece that the mint-masters were striking for me I grew angry and asked whether it was intended to be a caricature. My little head with its worried face perched on my long neck, and the Adam's apple standing out almost like a second chin, shocked me. But Messalina said: "No, my dear, that's really what you look like. In fact, it is rather flattering than otherwise." Ch. 6.

„He was always boasting of his ancestors, as stupid people do who are aware that they have done nothing themselves to boast about.“

—  Robert Graves, kniha I, Claudius
I, Claudius (1934), Context: My tutor I have already mentioned, Marcus Porcius Cato who was, in his own estimation at least, a living embodiment of that ancient Roman virtue which his ancestors had one after the other shown. He was always boasting of his ancestors, as stupid people do who are aware that they have done nothing themselves to boast about. He boasted particularly of Cato the Censor, who of all characters in Roman history is to me perhaps the most hateful, as having persistently championed the cause of "ancient virtue" and made it identical in the popular mind with churlishness, pedantry and harshness. Ch. 5.

„The frog-pool wanted a king.
Jove sent them Old King Log.“

—  Robert Graves
Claudius the God (1935), Context: The frog-pool wanted a king. Jove sent them Old King Log. I have been as deaf and blind and wooden as a log. The frog-pool wanted a king. Let Jove now send them Young King Stork. Caligula's chief fault: his stork-reign was too brief. My chief fault: I have been far too benevolent. I repaired the ruin my predecessors spread. I reconciled Rome and the world to monarchy again. Rome is fated to bow to another Caesar. Let him be mad, bloody, capricious, wasteful, lustful. King Stork shall prove again the nature of kings. By dulling the blade of tyranny I fell into great error. By whetting the same blade I might redeem that error. Violent disorders call for violent remedies. Yet I am, I must remember, Old King Log. I shall float inertly in the stagnant pool. Let all the poisons that lurk in the mud hatch out. Ch. 30.

„There is one story and one story only
That will prove worth your telling“

—  Robert Graves
Poems, Context: There is one story and one story only That will prove worth your telling, Whether as learned bard or gifted child; To it all lines or lesser guards belong That startle with their shining Such common stories as they stray into. "To Juan at the Winter Solstice" from Poems 1938-1945 (1946).

„Kaisers and Czars will strut the stage
Once more with pomp and greed and rage“

—  Robert Graves
Fairies and Fusiliers (1917), Context: Kaisers and Czars will strut the stage Once more with pomp and greed and rage; Courtly ministers will stop At home and fight to the last drop; By the million men will die In some new horrible agony... "The Next War".

„Opposite our trenches a German salient protruded, and the brigadier wanted to "bite it off" in proof of the division's offensive spirit. Trench soldiers could never understand the Staff's desire to bite off an enemy salient. It was hardly desirable to be fired at from both flanks“

—  Robert Graves
Goodbye to All That (1929), Context: Opposite our trenches a German salient protruded, and the brigadier wanted to "bite it off" in proof of the division's offensive spirit. Trench soldiers could never understand the Staff's desire to bite off an enemy salient. It was hardly desirable to be fired at from both flanks; if the Germans had got caught in a salient, our obvious duty was to keep them there as long as they could be persuaded to stay. We concluded that a passion for straight lines, for which headquarters were well known, had dictated this plan, which had no strategic or tactical excuse. Ch.22.

„Down on his knees he sinks, the stiff-necked King,
Stoops and kneels and grovels, chin to the mud.“

—  Robert Graves
Country Sentiment (1920), Context: Down on his knees he sinks, the stiff-necked King, Stoops and kneels and grovels, chin to the mud. Out from his changed heart flutter on startled wing The fancy birds of his Pride, Honour, Kinglihood. He crawls, he grunts, he is beast-like, frogs and snails His diet, and grass, and water with hand for cup. He herds with brutes that have hooves and horns and tails, He roars in his anger, he scratches, he looks not up. "Nebuchadnezzar's Fall"

„Heathen, how furiously you rage,
Cursing this blood and brimstone age,
How furiously against your will
You kill and kill again, and kill“

—  Robert Graves
Country Sentiment (1920), Context: Where nature with accustomed round Sweeps and garnishes the ground With kindly beauty, warm or cold — Alternate seasons never old: Heathen, how furiously you rage, Cursing this blood and brimstone age, How furiously against your will You kill and kill again, and kill: All thought of peace behind you cast, Till like small boys with fear aghast, Each cries for God to understand, 'I could not help it, it was my hand. "Country At War"

„Jehovah, it seems clear, was once regarded as a devoted son the the Great Goddess, who obeyed her in all things and by her favor swallowed up a number of variously named rival gods and godlings“

—  Robert Graves, kniha King Jesus
King Jesus (1946), the Terebinth-god, the Thunder-god, the Pomegranate-god, the Bull-god, the Goat-god, the Antelope-god, the Calf-god, the Porpoise-god, the Ram-god, the Ass-god, the Barley-god, the god of Healing, the Moon-god, the god of the Dog-star, the Sun-god. Later (if it is permitted to write in this style) he did exactly what his Roman counterpart, Capitoline Jove, has done: he formed a supernal Trinity in conjunction with two of the Goddess's three persons, namely, Anatha of the Lions and Ashima of the Doves, the counterparts of Juno and Minerva; the remaining person, a sort of Hecate named Sheol, retiring to rule the infernal regions.

„The habit of obscurity is partly caused by a settled disinclination among public servants to give a definite refusal even where assent is out of the question; or to convey a vigorous rebuke even where, in private correspondence, any person with self-respect would feel bound to do so.“

—  Robert Graves
The Reader Over Your Shoulder (1943), Context: The chief trouble with the official style is that it spreads far beyond the formal contexts to which it is suited. Most civil servants, having learned to write in this way, cannot throw off the habit. The obscurity of their public announcements largely accounts for the disrepute into which Departmental activities have fallen: for the public naturally supposes that Departments are as muddled and stodgy as their announcements. The habit of obscurity is partly caused by a settled disinclination among public servants to give a definite refusal even where assent is out of the question; or to convey a vigorous rebuke even where, in private correspondence, any person with self-respect would feel bound to do so. The mood is conveyed by a polite and emasculated style — polite because, when writing to a member of the public, the public servant is, in theory at least, addressing one of his collective employers; emasculated because, as a cog in the Government machine, he must make his phrases look as mechanical as possible by stripping them of all personal feeling and opinion. Ch.4: "The Use and Abuse of Official English"

„The scenes were nearly always recollections of my first four months in France; the emotion-recording apparatus seems to have failed after Loos.“

—  Robert Graves
Goodbye to All That (1929), Context: In the middle of a lecture I would have a sudden very clear experience of men on the march up the Béthune–La Bassée road; the men would be singing... These daydreams persisted like an alternate life and did not leave me until well in 1928. The scenes were nearly always recollections of my first four months in France; the emotion-recording apparatus seems to have failed after Loos. Ch. 27 On studying at Oxford University in 1919.

„Patriotism, in the trenches, was too remote a sentiment, and at once rejected as fit only for civilians, or prisoners.“

—  Robert Graves
Goodbye to All That (1929), Context: Patriotism, in the trenches, was too remote a sentiment, and at once rejected as fit only for civilians, or prisoners. A new arrival who talked patriotism would soon be told to cut it out. Ch. 17

„He roars in his anger, he scratches, he looks not up.“

—  Robert Graves
Country Sentiment (1920), Context: Down on his knees he sinks, the stiff-necked King, Stoops and kneels and grovels, chin to the mud. Out from his changed heart flutter on startled wing The fancy birds of his Pride, Honour, Kinglihood. He crawls, he grunts, he is beast-like, frogs and snails His diet, and grass, and water with hand for cup. He herds with brutes that have hooves and horns and tails, He roars in his anger, he scratches, he looks not up. "Nebuchadnezzar's Fall"

„Cuinchy bred rats. They came up from the canal, fed on the plentiful corpses, and multiplied exceedingly.“

—  Robert Graves
Goodbye to All That (1929), Context: Cuinchy bred rats. They came up from the canal, fed on the plentiful corpses, and multiplied exceedingly. While I stayed here with the Welsh, a new officer joined the company... When he turned in that night, he heard a scuffling, shone his torch on the bed, and found two rats on his blanket tussling for the possession of a severed hand. Ch.14.

„Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Etiam egestas wisi a erat. Morbi imperdiet, mauris ac auctor dictum.“

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