Thomas Pynchon citáty

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Thomas Pynchon

Datum narození: 8. květen 1937

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Thomas Ruggles Pynchon je americký spisovatel proslulý komplexními, hutnými romány. Jedná se o představitele postmoderny a držitele prestižního ocenění americké nadace MacArthur. Ve své tvorbě, jak v literární, tak i v nebeletristické, experimentuje s různými literárními styly a škála témat, kterou se zabývá, je velice široká – od světových dějin po matematiku. Jeho nejznámější román Duha gravitace získal v roce 1974 americkou Národní knižní cenu za beletrii a sám Pynchon je ve Spojených státech často zmiňován jako možný kandidát Nobelovy ceny za literaturu.

Pynchon pochází z ostrova Long Island ve státě New York. Dva roky sloužil u amerického námořnictva a na Cornellově univerzitě vystudoval anglickou literaturu; během posledních let studia, na přelomu padesátých a šedesátých let, mu začaly vycházet i první povídky. Proslavil se však až díky románům, které následovaly nedlouho poté: V. , Dražba série 49 , Duha gravitace a Mason & Dixon .

Je znám tím, že si hlídá své soukromí. Dosud bylo publikováno jen několik fotografií, na kterých by byl zachycen, a o tom, kde žije a kým vlastně doopravdy je, koluje už od šedesátých let řada dohadů.

Jeho nejnovější román Bleeding Edge vyšel 17. září 2013.

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Citáty Thomas Pynchon

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„I want you to hold this for me, till I ask for it back. It looks like Italo is going to get here before Tamara, and I'm not sure which one“

—  Thomas Pynchon
Context: "You." A finger the size of a corncob, an inch from Slothrop's nose. ... "Look," Slothrop's friend producing a kraft-paper envelope that even in the gloom Slothrop can tell is fat with American Army yellow-seal scrip, "I want you to hold this for me, till I ask for it back. It looks like Italo is going to get here before Tamara, and I'm not sure which one" "At this rate, Tamara's gonna get here before tonight," Slothrop interjects in a Groucho Marx voice. "Don't try to undermine my confidence in you," advises the Large One. "You're the man."

„Don't try to undermine my confidence in you“

—  Thomas Pynchon
Context: "You." A finger the size of a corncob, an inch from Slothrop's nose. ... "Look," Slothrop's friend producing a kraft-paper envelope that even in the gloom Slothrop can tell is fat with American Army yellow-seal scrip, "I want you to hold this for me, till I ask for it back. It looks like Italo is going to get here before Tamara, and I'm not sure which one" "At this rate, Tamara's gonna get here before tonight," Slothrop interjects in a Groucho Marx voice. "Don't try to undermine my confidence in you," advises the Large One. "You're the man."

„What have the watchmen of the world's edge come tonight to look for? Deepening on now, monumental beings stoical, on toward slag, toward ash the colour the night will stabilize at, tonight... what is there grandiose enough to witness?“

—  Thomas Pynchon
Context: Out at the horizon, out near the burnished edge of the world, who are these visitors standing... these robed figures — perhaps, at this distance, hundreds of miles tall — their faces, serene, unattached, like the Buddha's, bending over the sea, impassive, indeed, as the Angel that stood over Lübeck during the Palm Sunday raid, come that day neither to destroy nor to protect, but to bear witness to a game of seduction... What have the watchmen of the world's edge come tonight to look for? Deepening on now, monumental beings stoical, on toward slag, toward ash the colour the night will stabilize at, tonight... what is there grandiose enough to witness?

„Out at the horizon, out near the burnished edge of the world, who are these visitors standing... these robed figures —“

—  Thomas Pynchon
Context: Out at the horizon, out near the burnished edge of the world, who are these visitors standing... these robed figures — perhaps, at this distance, hundreds of miles tall — their faces, serene, unattached, like the Buddha's, bending over the sea, impassive, indeed, as the Angel that stood over Lübeck during the Palm Sunday raid, come that day neither to destroy nor to protect, but to bear witness to a game of seduction... What have the watchmen of the world's edge come tonight to look for? Deepening on now, monumental beings stoical, on toward slag, toward ash the colour the night will stabilize at, tonight... what is there grandiose enough to witness?

„Who claims Truth, Truth abandons.“

—  Thomas Pynchon
Context: Who claims Truth, Truth abandons. History is hir'd, or coerc'd, only in Interests that must ever prove base. She is too innocent, to be left within the reach of anyone in Power, — who need but touch her, and all her Credit is in the instant vanish'd, as if it had never been. She needs rather to be tended lovingly and honorably by fabulists and counterfeiters, Ballad-Mongers and Cranks of ev'ry Radius, Masters of Disguise to provide her the Costume, Toilette, and Bearing, and Speech nimble enough to keep her beyond the Desires, or even the Curiosity, of Government. Ch. 35

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„Don't jump at an infinite number of possible shapes. There's only one. It is most likely an interface between one order of things and another.“

—  Thomas Pynchon
Context: No, as none of these, but instead a point in space, a point hung precise as the point where burning must end, never launched, never to fall. And what is the specific shape whose center of gravity is the Brennschluss Point? Don't jump at an infinite number of possible shapes. There's only one. It is most likely an interface between one order of things and another. There's a Brennschluss point for every firing site. They still hang up there, all of them, a constellation waiting to have a 13th sign of the Zodiac named for it...

„But the reality is in this head. Mine. I’m the projector at the planetarium, all the closed little universe visible in the circle of that stage is coming out of my mouth, eyes, sometimes other orifices also.“

—  Thomas Pynchon
Context: You don’t understand,” getting mad. “You guys, you’re like Puritans are about the Bible. So hung up with words, words. You know where that play exists, not in that file cabinet, not in any paperback you’re looking for, but—” a hand emerged from the veil of shower-steam to indicate his suspended head—“in here. That’s what I’m for. To give the spirit flesh. The words, who cares? They’re rote noises to hold line bashes with, to get past the bone barrier around an actor’s memory, right? But the reality is in this head. Mine. I’m the projector at the planetarium, all the closed little universe visible in the circle of that stage is coming out of my mouth, eyes, sometimes other orifices also. Chapter 3

„She needs rather to be tended lovingly and honorably by fabulists and counterfeiters, Ballad-Mongers and Cranks of ev'ry Radius, Masters of Disguise to provide her the Costume, Toilette, and Bearing, and Speech nimble enough to keep her beyond the Desires, or even the Curiosity, of Government.“

—  Thomas Pynchon
Context: Who claims Truth, Truth abandons. History is hir'd, or coerc'd, only in Interests that must ever prove base. She is too innocent, to be left within the reach of anyone in Power, — who need but touch her, and all her Credit is in the instant vanish'd, as if it had never been. She needs rather to be tended lovingly and honorably by fabulists and counterfeiters, Ballad-Mongers and Cranks of ev'ry Radius, Masters of Disguise to provide her the Costume, Toilette, and Bearing, and Speech nimble enough to keep her beyond the Desires, or even the Curiosity, of Government. Ch. 35

„As spread thighs are to the libertine, flights of migratory birds to the ornithologist, the working part of his tool bit to the production machinist, so was the letter V to young Stencil.“

—  Thomas Pynchon
Context: As spread thighs are to the libertine, flights of migratory birds to the ornithologist, the working part of his tool bit to the production machinist, so was the letter V to young Stencil. He would dream perhaps once a week that it had all been a dream, and that now he’d awakened to discover the pursuit of V. was merely a scholarly quest after all, an adventure of the mind, in the tradition of ‘’The Golden Bough’’ or ‘’The White Goddess’’ But Soon enough he’d wale up the second, real time, to make again the tiresome discovery that it hadn’t really stopped being the same simple-minded literal pursuit; V. ambiguously a beast of venery, chased like the hart, hind or hare, chased like an obsolete or bizarre, or forbidden form of sexual delight. And clownish Stencil capering along behind her, bells a jingle, waving a wood, toy oxgoad. For no one’s amusement but his own. Chapter Three

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„She might have found the Tristero anywhere in her Republic, through any of a hundred lightly-concealed entranceways, a hundred alienations, if only she'd looked.“

—  Thomas Pynchon
Context: She might have found the Tristero anywhere in her Republic, through any of a hundred lightly-concealed entranceways, a hundred alienations, if only she'd looked. She stopped for a minute between the steel rails, raising her head as if to sniff the air. Becoming conscious of the hard, strung presence she stood on — knowing as if maps had been flashed for her on the sky how these tracks ran on into others, others, knowing they laced, deepened, authenticated the great night around her. If only she'd looked. … She remembered drifters she had listened to, Americans speaking their language carefully, scholarly, as if they were in exile from somewhere else invisible yet congruent with the land she lived in; and walkers along the roads at night, zooming in and out of your headlights without looking up, too far from any town to have a real destination. And the voices before and after the dead man's that had phoned at random during the darkest slowest hours, searching ceaseless among the dial's ten million possibilities for that magical Other who would reveal herself out of the roar of relays monotone litanies of insult, filth, fantasy love, whose brute repetition must someday call into being the trigger of the unnamable act, the recognition, the Word. <!-- p. 148 Chapter 6

„We are accordingly lost to any sense of continuous tradition. Perhaps if we lived on a crest, things would be different. We could at least see.“

—  Thomas Pynchon
Context: Perhaps history this century, thought Eigenvalue, is rippled with gathers in its fabric such that if we are situated, as Stencil seemed to be, at the bottom of a fold, it's impossible to determine warp, woof, or pattern anywhere else. By virtue, however, of existing in one gather it is assumed there are others, compartmented off into sinuous cycles each of which had come to assume greater importance than the weave itself and destroy any continuity. Thus it is that we are charmed by the funny-looking automobiles of the '30's, the curious fashions of the '20's, the particular moral habits of our grandparents. We produce and attend musical comedies about them and are conned into a false memory, a phony nostalgia about what they were. We are accordingly lost to any sense of continuous tradition. Perhaps if we lived on a crest, things would be different. We could at least see. Chapter Seven, Part I

„In the eighteenth century it was often convenient to regard man as a clockwork automaton.“

—  Thomas Pynchon
Context: In the eighteenth century it was often convenient to regard man as a clockwork automaton. In the nineteenth century, with Newtonian physics pretty well assimilated and a lot of work in thermodynamics going on, man was looked on as a heat engine, about 40 per cent efficient. Now in the twentieth century, with nuclear and subatomic physics a going thing, man had become something which absorbs X-rays, gamma rays and neutrons. Chapter Ten, Part II

„Snow-Balls have flown their Arcs, starr'd the Sides of Outbuildings“

—  Thomas Pynchon
Context: Snow-Balls have flown their Arcs, starr'd the Sides of Outbuildings, as of Cousins, carried Hats away into the brisk Wind off Delaware, — the Sleds are brought in and their Runners carefully dried and greased, shoes deposited in the back Hall, a stocking'd foot Descent made upon the great Kitchen, in a purposeful Dither since Morning, punctuated by the ringing Lids of various Boilers and Stewing-Pots, fragrant with Pie-Spices, peel'd Fruits, Suet, heated Sugar, — the Children, having all upon the Fly, among rhythmic slaps of Batter and Spoon, coax'd and stolen what they might, proceed, as upon each afternoon all this snowy Advent, to a comfortable Room at the rear of the House, years since given over to their carefree Assaults. First lines

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