Tom Wolfe citáty (12 citátů) | Citáty slavných osobností

“I'd rather be a lightning rod than a seismograph”

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Tom Wolfe kniha The Electric Kool-Aid Acid Test

On Ken Kesey, in Ch. I : Black Shiny FBI Shoes
The Electric Kool-Aid Acid Test (1968)
Kontext: He talks in a soft voice with a country accent, almost a pure country accent, only crackling and rasping and cheese-grated over the two-foot hookup, talking about —
"—there's been no creativity," he is saying, "and I think my value has been to help create the next step. I don't think there will be any movement off the drug scene until there is something else to move to —"
— all in a plain country accent about something — well, to be frank, I didn't know what in the hell it was all about. Sometimes he spoke cryptically, in aphorisms. I told him I had heard he didn't intend to do any more writing. Why? I said.
"I'd rather be a lightning rod than a seismograph," he said.
He talked about something called the Acid Test and forms of expression in which there would be no separation between himself and the audience. It would be all one experience, with all the senses opened wide, words, music, lights, sounds, touch —
lightning.

“It would be all one experience, with all the senses opened wide, words, music, lights, sounds, touch —
lightning.”

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Tom Wolfe kniha The Electric Kool-Aid Acid Test

On Ken Kesey, in Ch. I : Black Shiny FBI Shoes
The Electric Kool-Aid Acid Test (1968)
Kontext: He talks in a soft voice with a country accent, almost a pure country accent, only crackling and rasping and cheese-grated over the two-foot hookup, talking about —
"—there's been no creativity," he is saying, "and I think my value has been to help create the next step. I don't think there will be any movement off the drug scene until there is something else to move to —"
— all in a plain country accent about something — well, to be frank, I didn't know what in the hell it was all about. Sometimes he spoke cryptically, in aphorisms. I told him I had heard he didn't intend to do any more writing. Why? I said.
"I'd rather be a lightning rod than a seismograph," he said.
He talked about something called the Acid Test and forms of expression in which there would be no separation between himself and the audience. It would be all one experience, with all the senses opened wide, words, music, lights, sounds, touch —
lightning.

“The Internet is the modern form of knitting. In the old days women who had nothing to do would knit, but at least you got something out of it — a pair of socks, maybe a scarf, occasionally a little bedspread. That’s mostly what the Internet is, just passing the time. But unfortunately you are dealing with words that can have meaning.”

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Tom Wolfe

American Spectator interview (2005)

“Hoyt began moving his lips as if he were trying to suck the ice cream off the top of a cone without using his teeth. She tried to make her lips move in sync with his. The next thing she knew, Hoyt had put his hand sort of under her thigh and hoisted her leg up over his thigh. What was she to do? Was this the point she should say, “Stop!”? No, she shouldn’t put it that way. It would be much cooler to say, “No, Hoyt,” in an even voice, the way you would talk to a dog that insists on begging at the table.
Slither slither slither slither went the tongue, but the hand that was what she tried to concentrate on, the hand, since it has the entire terrain of her torso to explore and not just the otorhinolaryngological caverns – oh God, it was not just at the border where the flesh of the breast joins the pectoral sheath of the chest – no, the hand was cupping her entire right – Now! She must say “No, Hoyt” and talk to him like a dog[…]”

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Tom Wolfe

Zdroj: I am Charlotte Simmons (2004), p. 368-9, winner of the 12th annual The Literary Review Bad Sex Award

“Interviewer: So you weren't surprised by the Dan Rather debacle?
Wolfe: I wasn't surprised it happened. The media have a pretty wild history in this respect. Whenever somebody would make up a story, they would say, 'Oh, that's the influence of the New Journalism.' God, newspapers have been making up stories forever. This kind of trifling and fooling around is not a function of the New Journalism.”

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Tom Wolfe

American Spectator interview (2005)

“…Las Vegas is the only town in the world whose skyline is made up neither of buildings, like New York, nor of trees, like Wilbraham, Massachusetts, but signs.”

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Tom Wolfe kniha The Kandy-Kolored Tangerine-Flake Streamline Baby

"Las Vegas (What?)"
The Kandy-Kolored Tangerine-Flake Streamline Baby (1965)

“Everything was becoming allegorical, understood by the group mind, and especially this: "You're either on the bus … or off the bus."”

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Tom Wolfe kniha The Electric Kool-Aid Acid Test

On Kesey's coining of the phrase "on the bus", in The Electric Kool-Aid Acid Test (1968), Ch. VI : The Bus; as Paul Grushkin reports, in Dead Letters: The Very Best Grateful Dead Fan Mail (2011), p. 120, the statement became a famous evocation of an attitude:
The phrase became a metaphor for 1960s culture rethinking — if you were "on the bus" you were "with it."
The Electric Kool-Aid Acid Test (1968)