Edward Morgan Forster citáty

Edward Morgan Forster foto
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Edward Morgan Forster

Datum narození: 1. leden 1879
Datum úmrtí: 7. červen 1970
Další jména:Е. М. Форстер

Reklama

Edward Morgan Forster byl anglický prozaik, esejista a libretista. Je znám především díky svým ironickým a dějově dobře vystavěným románům, které se zabývaly společenskými tématy, jako byly třídní rozdíly, pokrytectví nebo postoje britské společnosti vůči problémům pohlaví a homosexuality na počátku 20. století.

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Citáty Edward Morgan Forster

Reklama

„With this type of person knocking about, and constantly crossing one's path if one has eyes to see or hands to feel, the experiment of earthly life cannot be dismissed as a failure.“

— E.M. Forster
Context: On they go — an invincible army, yet not a victorious one. The aristocrats, the elect, the chosen, the Best People — all the words that describe them are false, and all attempts to organize them fail. Again and again Authority, seeing their value, has tried to net them and to utilize them as the Egyptian Priesthood or the Christian Church or the Chinese Civil Service or the Group Movement, or some other worthy stunt. But they slip through the net and are gone; when the door is shut, they are no longer in the room; their temple, as one of them remarked, is the holiness of the Heart's affections, and their kingdom, though they never possess it, is the wide-open world. With this type of person knocking about, and constantly crossing one's path if one has eyes to see or hands to feel, the experiment of earthly life cannot be dismissed as a failure. But it may well be hailed as a tragedy, the tragedy being that no device has been found by which these private decencies can be transmitted to public affairs. As soon as people have power they go crooked and sometimes dotty as well, because the possession of power lifts them into a region where normal honesty never pays.

„Most of life is so dull that there is nothing to be said about it, and the books and talks that would describe it as interesting are obliged to exaggerate, in the hope of justifying their own existence.“

— E.M. Forster
Context: Most of life is so dull that there is nothing to be said about it, and the books and talks that would describe it as interesting are obliged to exaggerate, in the hope of justifying their own existence. Inside its cocoon of work or social obligation, the human spirit slumbers for the most part, registering the distinction between pleasure and pain, but not nearly as alert as we pretend. There are periods in the most thrilling day during which nothing happens, and though we continue to exclaim, “I do enjoy myself", or, “I am horrified,” we are insincere. Ch. 14

„There's nothing like a debate to teach one quickness.“

— E.M. Forster
Context: There's nothing like a debate to teach one quickness. I often wish I had gone in for them when I was a youngster. It would have helped me no end. Ch. 15

Reklama

„You are quite right; life to me is just a spectacle, which — thank God, and thank Italy, and thank you — is now more beautiful and heartening than it has ever been before.“

— E.M. Forster
Context: I never expect anything to happen now, and so I am never disappointed. You would be surprised to know what my great events are. Going to the theatre yesterday, talking to you now — I don't suppose I shall ever meet anything greater. I seem fated to pass through the world without colliding with it or moving it — and I'm sure I can't tell you whether the fate's good or evil. I don't die — I don't fall in love. And if other people die or fall in love they always do it when I'm just not there. You are quite right; life to me is just a spectacle, which — thank God, and thank Italy, and thank you — is now more beautiful and heartening than it has ever been before. Ch. 8

„The people I admire most are those who are sensitive and want to create something or discover something, and do not see life in terms of power, and such people get more of a chance under a democracy than elsewhere.“

— E.M. Forster
Context: Democracy is not a beloved Republic really, and never will be. But it is less hateful than other contemporary forms of government, and to that extent it deserves our support. It does start from the assumption that the individual is important, and that all types are needed to make a civilization. It does not divide its citizens into the bossers and the bossed — as an efficiency-regime tends to do. The people I admire most are those who are sensitive and want to create something or discover something, and do not see life in terms of power, and such people get more of a chance under a democracy than elsewhere. They found religions, great or small, or they produce literature and art, or they do disinterested scientific research, or they may be what is called "ordinary people", who are creative in their private lives, bring up their children decently, for instance, or help their neighbours. All these people need to express themselves; they cannot do so unless society allows them liberty to do so, and the society which allows them most liberty is a democracy.

„A mirror does not develop because an historical pageant passes in front of it. It only develops when it gets a fresh coat of quicksilver“

— E.M. Forster
Context: A mirror does not develop because an historical pageant passes in front of it. It only develops when it gets a fresh coat of quicksilver — in other words, when it acquires new sensitiveness; and the novel's success lies in its own sensitiveness, not in the success of its subject matter. Chapter One: Introductory

„I haven't made my point yet, which is that it is right to be kind and even sacrifice ourselves to people who need kindness and lie in our way — otherwise, besides failing to help them, we run into the aridity of self-development.“

— E.M. Forster
Context: I haven't made my point yet, which is that it is right to be kind and even sacrifice ourselves to people who need kindness and lie in our way — otherwise, besides failing to help them, we run into the aridity of self-development. To seek for recipients of one's goodness, to play the Potted Jesus leads to the contrary the Christian danger. p. 243 (1963)

Reklama

„Romance only dies with life. No pair of pincers will ever pull it out of us.“

— E.M. Forster
Context: Romance only dies with life. No pair of pincers will ever pull it out of us. But there is a spurious sentiment which cannot resist the unexpected and the incongruous and the grotesque. A touch will loosen it, and the sooner it goes from us the better. Ch. 2

„So two cheers for Democracy: one because it admits variety and two because it permits criticism. Two cheers are quite enough: there is no occasion to give three.“

— E.M. Forster
Context: Whether Parliament is either a representative body or an efficient one is questionable, but I value it because it criticizes and talks, and because its chatter gets widely reported. So two cheers for Democracy: one because it admits variety and two because it permits criticism. Two cheers are quite enough: there is no occasion to give three.

„It looks as if there is a physical as well as a moral break in the orders I send out. I have plenty of interesting thoughts but keep losing them like the post cards I have written, or like my cap.“

— E.M. Forster
Context: Going to Bits. This phrase me to day and is indeed the one I have been looking for; not tragic, not mortal disintegration; only a central weakness which prevents me from concentrating or settling down I have so wanted to write and write ahead. The phrase "obligatory creation" has haunted me. I have so wanted to get out of my morning bath promptly: have decided to do so beforehand, and have then lain in it as usual and watched myself not getting out. It looks as if there is a physical as well as a moral break in the orders I send out. I have plenty of interesting thoughts but keep losing them like the post cards I have written, or like my cap. I can't clear anything up yet interrupt a 'good read' in order to clear up. I hope tomorrow to copy out a piece of someone else's pose: it is the best device known to me for taking one out of inself, Plunge into anothers minutiae.' 31-1-61 p. 224

„This woman was a goddess to the end. For her no love could be degrading: she stood outside all degradation.“

— E.M. Forster
Context: This woman was a goddess to the end. For her no love could be degrading: she stood outside all degradation. This episode, which she thought so sordid, and which was so tragic for him, remained supremely beautiful. To such a height was he lifted, that without regret he could now have told her that he was her worshipper too. But what was the use of telling her? For all the wonderful things had happened. "Thank you," was all that he permitted himself. "Thank you for everything." Ch. 10

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