Gustave Courbet citáty

„Láska je velké v malém a malé ve velkém. Její podstata spočívá v detailu.“

—  Gustave Courbet

„Všichni jsme zrozeni k tomu, abychom milovali, avšak sotva k tomu, abychom byli milováni.“

—  Gustave Courbet

„Maluj, co vidíš, co cítíš a co chceš.“

—  Gustave Courbet

Zdroj: [Kalendárium, ceskatelevize.cz, 2011-03-21, http://www.ceskatelevize.cz/porady/1095927644-kalendarium/3153-vyhledavani/?searchType=date&kMonth=12&kDay=31]

„Nikdo není větším milovníkem než ten, kdo je omezován tím, co miluje.“

—  Gustave Courbet

„Velikost lásky je v tom, že spěje od objevení hrubé lásky k poznání jejich jemností.“

—  Gustave Courbet

„Láska se zrodila, aby se toulala světem a neustále se vzrušovala jeho kouzlem; ne aby dřepěla doma za pecí a vysušovala se jako syrové dřevo. Je to vlastně přelétavý pták, který na chvilku u každého spočine.“

—  Gustave Courbet

„Nesmělost je nejen v rozporu s přirozeností milenců, ale odporuje samotným přírodním zákonům lásky.“

—  Gustave Courbet

„I have never seen an angel. Show me an angel, and I'll paint one.“

—  Gustave Courbet

Courbet, c 1860's, later quoted by Vincent van Gogh in a letter to brother Theo (July, 1885); in The letters of Vincent van Gogh, ed. Ronal de Leeuw - Penguin, New York, 1996, p. 302
1860s

„The history of an era is finished with that era itself and with those of its representatives who have expressed it. It is not the task of modern times to add anything to the expression of former times to ennoble or embellish the past. What has been, has been. The human spirit must always begin work afresh in the present, starting off from acquired results. One must never start out from foregone conclusions proceeding from synthesis to synthesis, from conclusion to conclusion. The real artists are those who pick up their age exactly at the point to which it has been carried by preceding times.“

—  Gustave Courbet

1860s, Realist Manifesto' - an open letter, 1861

„When I got back to Ornans, I spent a few days hunting. I quite like the subject of violent exercise... It makes the most surprising painting you can imagine. There are thirty life-size figures in it. It is the moral and physical history of my studio“

—  Gustave Courbet

Quote from a letter of Courbet to Bruyas, (December 1854); as cited in 'Courbet Speaks', 'Courbet-dossier', Musée-dOrsay http://www.musee-orsay.fr/en/collections/courbet-dossier/courbet-speaks.html
1840s - 1850s

„I will contemplate the spectacle of your sea. The viewpoints of our mountains also offer us the limitless spectacle of immensity. The unfillable void has a calming effect... The sea! The sea with its charms saddens me. In its joyful moods, it makes me think of the laughing tiger; in its sad moods it recalls the crocodile’s tears, and in its roaring fury, the caged monster that cannot swallow me up.“

—  Gustave Courbet

Quote in Courbet's letter to Victor Hugo, 28 November 1864; as cited in Chu, Letters, p. 249; quoted in 'Paysages de Mer - Courbet's The Wave', by Anthony White https://www.ngv.vic.gov.au/essay/paysages-de-mer-courbets-the-wave/
1860s

„I cannot teach my art, nor the art of any school whatever, since I deny that art can be taught, or, in other words, I maintain that art is completely individual, and is, for each artist, nothing but the talent issuing from his own inspiration and his own studies of tradition.“

—  Gustave Courbet

1860s, Realist Manifesto' - an open letter, 1861

„I can only explain to some artists, who would be my collaborators and not my pupils, the method by which, in my opinion, one becomes a painter, by which I myself have tried to become one since my earliest days, leaving to each person the complete control of his individuality, the full liberty of his own expression in the application of this method. To achieve this aim, the organization of a communal studio, recalling those extremely fruitful collaborations of the studios of the Renaissance, could certainly be useful and contribute to the opening of the era of modern painting.“

—  Gustave Courbet

1860s, Realist Manifesto' - an open letter, 1861

„It is not often that one encounters so complete an expression of poverty and so, right then and there I got the idea for a painting. I told them to come to my studio the next morning.“

—  Gustave Courbet

Quote, 1850's explaining to Champfleury and the writer Francis Wey; as cited on Wikipedia; Masanès, Fabrice 2006, p. 31
Courbet explains in his quote the start of his painting 'Stone-Breakers' [painted in 1849-50 / destroyed in the Allied Bombing of Dresden in 1945]; this painting was inspired by a scene Courbet witnessed on the roadside.
1840s - 1850s

„In as much as the Vendôme Column is a monument devoid of all artistic value, tending to perpetuate by its expression the ideas of war and conquest of the past imperial dynasty, which are reproved by a republican nation's sentiment, citizen Courbet expresses the wish that the National Defense government will authorize him to disassemble this column.“

—  Gustave Courbet

version in original French: * Attendu que la colonne Vendôme est un monument dénué de toute valeur artistique, tendant à perpétuer par son expression les idées de guerre et de conquête qui étaient dans la dynastie impériale, mais que réprouve le sentiment d'une nation républicaine, [le citoyen Courbet] émet le vœu que le gouvernement de la Défense nationale veuille bien l'autoriser à déboulonner cette colonne.
Quote in Courbet's official letter (4 September 1870), to the Government of National Defense - proposing that the column in the Place Vendôme in Paris, erected by Napoleon I - to honour the victories of the French Army - be taken down.
1870s

„I've already done studies [for his large-scale painting w:The Burial at Ornans ] of the mayor, who weighs 400, the parish priest, the justice of the peace, the cross bearer, the notary Marlet, the assistant mayor, my friends, my father, the choirboys, the grave digger, two old revolutionaries from [17]'93…“

—  Gustave Courbet

Remark to Champfleury, (End of 1849); as quoted in Gustave Courbet, by Georges Riat, Parkstone International, 15 Sep 2015,
1840s - 1850s

„We finally saw the sea, the horizonless sea – how odd for a mountaindweller. We saw the beautiful boats that sail on it. It is too inviting, one feels carried away, one would leave to see the whole world.“

—  Gustave Courbet

Quote from Courbet's letter to his parents (1841); as quoted in Image of the Sea: Oceanic Consciousness in the Romantic Century, Howard F. Isham, publisher: Peter Lang, 2004, Chapter 'Waterworlds', p. 307
reporting his experiences of a boat-trip with a friend over the Seine to the port of Le Havre; he made also a sketchbook of this trip in the Summer of 1841
1840s - 1850s

„In the coming year I must do a large painting which will definitely get me recognized for what I truly am, for I want all or nothing. All those little paintings are not the only thing that I can do... I want to do large-scale painting. One thing is certain, that within five years, I must have a name in Paris; that is what I strive for. It's hard to get there, I know... To move faster I only lack one thing, and that's money, in order to boldly execute what I have in mind.“

—  Gustave Courbet

Quote from his letter (10 March 1845); as cited in 'Gustave Courbet', by Georges Riat, Parkstone International, 2015
very soon after this letter Courbet attacked a canvas of eight feet high and ten feet wide
1840s - 1850s

„The sea! The sea!.... in her growling fury, she reminds me of a of the caged monster who can devour me.“

—  Gustave Courbet

Quote from Courbet's letter to Victor Hugo, 1864; as cited by Sarah Faunce and Linda Nochlin, in Courbet Reconsidered; exhibition catalogue, The Brooklyn Museum, 1988, p. 188
1860s