Herbert George Wells nejznámější citáty
[(en) Advertising is legalized lying.]
Zdroj: [Fernando, A.C., Business Ethics: An Indian Perspective, Pearson Education India, 2009, 978-8-13171-173-6, 5-11, anglicky]
Herbert George Wells citáty a výroky
„Naše skutečná národnost je člověčenství.“
[(en) Our true nationality is mankind.]
Zdroj: [Wells, H.G., Herbert George Wells, Wagar, warren, The Outline of History, Being a Plain History of Life and Mankind: The Roman Empire to the Great War, Barnes & Noble Publishing, 2004, 978-0-76075-867-0, 644, anglicky]
„Čím ošklivější nohy člověk má, tím lépe hraje golf - to je skoro pravidlem.“
[(en) The uglier a man's legs are the better he plays golf. It's almost a law.]
Zdroj: [Wells, H.G., Bealby a Holiday, Kessinger Publishing, 2005, 978-1-41791-142-4, 167, anglicky]
Herbert George Wells: Citáty anglicky
Zdroj: The Island of Doctor Moreau (1896), Ch. 16: How the Beast Folk Tasted Blood
“The Boss: You are not mechanics, you are warriors. You have been trained, not to think, but to do.”
Things to Come (1936)
“How small the vastest of human catastrophes may seem at a distance of a few million miles.”
"The Star", final line, first published in The Graphic, Christmas issue (1897)
“Our true nationality is mankind.”
Zdroj: The Outline of History (1920), Ch. 41
“For crude classifications and false generalisations are the curse of all organised human life.”
Zdroj: A Modern Utopia (1905), Ch. 10, sect. 1
Zdroj: The Island of Doctor Moreau (1896), Ch. 14: Doctor Moreau Explains
“Rowena: You’ve got the subtlety of a bullfrog.”
Things to Come (1936)
Zdroj: The Invisible Man (1897), Chapter 20: At the House In Great Portland Street
"What I Believe", The Listener, 1929. Quoted in Clifton Fadiman, I Believe, London, George Allen and Unwin, 1940.
The Rights of Man, or what are we fighting for? (1940)
“The uglier a man's legs are, the better he plays golf. It's almost a law.”
Bealby: A Holiday (1915)
Zdroj: The Island of Doctor Moreau (1896), Ch. 21: The Reversion of the Beast Folk
“An artist who theorizes about his work is no longer artist but critic.”
The Temptaion of Harringay (1929)
Book I, Ch. 7: How I Reached Home
The War of the Worlds (1898)
“Adapt or perish, now as ever, is Nature's inexorable imperative.”
The Mind at the End of its Tether (1945), p. 19