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Herbert Marshall McLuhan byl kanadský filosof, spisovatel, literární kritik a mediální teoretik. Byl představitelem tzv. Torontské školy, jeho pojetí médií je někdy označováno jako technologický determinismus. K jeho základním konceptům patří: horká a chladná média, globální vesnice či medium i message. Wikipedia  

✵ 21. červenec 1911 – 31. prosinec 1980
Marshall McLuhan foto
Marshall McLuhan: 420 citátů4 lajky

Marshall McLuhan nejznámější citáty

Tento překlad čeká na kontrolu. Je překlad správně?

„Každá společnost ctí své živé přizpůsobivé a své mrtvé potížisty.“

Marshall McLuhan

„Kriminálník, stejně jako umělec, je sociální průzkumník.“

Marshall McLuhan

Originál: (en) The criminal, like the artist, is a social explorer.
Zdroj: [WHITMAN, ALDEN, Marshall McLuhan, Author, Dies; Declared 'Medium Is the Message', nytimes.com, 1981-01-01, 201-12-06, https://www.nytimes.com/books/97/11/02/home/mcluhan-obit.html]

„Reklamy jsou jeskynním uměním 20. století.“

Marshall McLuhan

Marshall McLuhan: Citáty anglicky

“Phenomenology is dialectic in ear-mode – a massive and decentralized quest for roots, for ground.”

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Marshall McLuhan

Zdroj: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 62

“The Gutenberg galaxy was theoretically dissolved in 1905 with the discovery of curved space, but in practice it had been invaded by the telegraph two generations before that.”

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Marshall McLuhan

Zdroj: 1960s, The Gutenberg Galaxy (1962), p. 286

“Man becomes, as it were, the sex organs of the machine world, as the bee of the plant world, enabling it to fecundate and to evolve ever new forms. The machine world reciprocates man's love by expediting his wishes and desires, namely, in providing him with wealth. (p.46)”

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Marshall McLuhan kniha Understanding Media: The Extensions of Man

Understanding Media (1964)

“The logos of creation, 'And God Said…' formed the basis of Christian interpretation of the 'Book of Nature.”

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Marshall McLuhan

Zdroj: Laws of Media: The New Science (with Eric McLuhan) (1988), p. 217

“Environments are not just containers, but are processes that change the content totally.”

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Marshall McLuhan

American scholar, Volume 35, 1965, p. 200
1960s

“Typography tended to alter language from a means of perception and exploration to a portable commodity.”

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Marshall McLuhan

Zdroj: 1960s, The Gutenberg Galaxy (1962), p. 183

“Faced with information overload, we have no alternative but pattern-recognition.”

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Marshall McLuhan

Zdroj: 1960s, Counterblast (1969), p. 132

“The business of art is no longer the communication of thoughts or feelings which are to be conceptually ordered, but a direct participation in an experience. The whole tendency of modern communication…is towards participation in a process, rather than apprehension of concepts.”

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Marshall McLuhan

Letter to Harold Adam Innis (14 March 1951), published in Essential McLuhan (1995), edited by Eric McLuhan and Frank Zingrone, p. 73
1950s

“As Narcissus fell in love with an outering (projection, extension) of himself, man seems invariably to fall in love with the newest gadget or gimmick that is merely an extension of his own body.”

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Marshall McLuhan

1990s and beyond, "The Agenbite of Outwit" (1998)

“Q: Why is America the land of the overrated child and the underrated adult? Q: How can children grow up in a world in which adults idolize youthfulness? Q: What happens when the ad makers taker over all the popular myths and poetry?”

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Marshall McLuhan

Zdroj: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 141

“The new media are not bridges between man and nature: they are nature.”

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Marshall McLuhan

Zdroj: 1960s, Counterblast (1969), p. 14

“The message of radio is one of violent, unified implosion and resonance.”

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Marshall McLuhan

Zdroj: 1960s, Understanding Media (1964), p. 263

“The images of mankind have become the most basic thing about them. And they're all software, and disembodied.”

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Marshall McLuhan

Zdroj: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 346

“New media are new languages, their grammar and syntax yet unknown.”

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Marshall McLuhan

Zdroj: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 229

“People in new environments always produce the new preceptual modality without any difficulty or awareness of change. It is later that the psychic and social realignments baffle societies.”

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Marshall McLuhan

ARTnews annual, Volume 31, Art Foundation, 1966, p. 56
1960s

“Man in the electronic age has no possible environment except the globe and no possible occupation except information-gathering.”

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Marshall McLuhan

1990s and beyond, "The Agenbite of Outwit" (1998)

“Each tetrad gives the etymology of its subject, as an uttering or outering of the body physical or mental, and provides its anatomy in fourfold exegetical manner.”

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Marshall McLuhan

Zdroj: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 224

“The invention of typography confirmed and extended the new visual stress of applied knowledge, providing the first uniformly repeatable “commodity,” the first assembly-line, and the first mass-production.”

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Marshall McLuhan

Zdroj: 1960s, The Gutenberg Galaxy (1962), p. 142

“McLuhan after his September 1979 stroke. Brand, Stewart. "McLuhan's last words." New Scientist, 29 Jan 1981.”

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Marshall McLuhan

Boyoboy oboyoboy oboyoboyoboyoboyoboyoboy...
1980s

“King Lear is a working model of the process of denudation by which men translate themselves from a world of roles to a world of jobs.”

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Marshall McLuhan

Zdroj: 1960s, The Gutenberg Galaxy (1962), p. 16

“The media themselves are the avant-garde of our society. Avant-garde no longer exists in painting, music and poetry, it's the media themselves.”

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Marshall McLuhan

Zdroj: 1990s and beyond, A McLuhan Sourcebook (1995), p. 274

“The Greek “point of view” in both art and chronology has little in common with ours but was much like that of the Middle Ages.”

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Marshall McLuhan

Zdroj: 1960s, The Gutenberg Galaxy (1962), p. 64

“At the very high speed of living, everybody needs a new career and a new job and a totally new personality every ten years.”

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Marshall McLuhan

1970s, Forces interview (1973)

“The new media are not bridges between man and nature - they are nature…The new media are not ways of relating us to the old world; they are the real world and they reshape what remains of the old world at will.”

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Marshall McLuhan

Media as the New Nature, 1969, p. 14
1960s

“Electric technology is directly related to our central nervous systems, so it is ridiculous to talk of "what the public wants" played over its own nerves.”

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Marshall McLuhan

Zdroj: 1960s, Understanding Media (1964), p. 68

“Typography as the first mechanization of a handicraft is itself the perfect instance not of a new knowledge, but of applied knowledge.”

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Marshall McLuhan

Zdroj: 1960s, The Gutenberg Galaxy (1962), p. 171

“The Greeks invented both their artistic and scientific novelties after the interiorization of the alphabet.”

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Marshall McLuhan

Zdroj: 1960s, The Gutenberg Galaxy (1962), p. 66

“When new technologies impose themselves on societies long habituated to older technologies, anxieties of all kinds result.”

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Marshall McLuhan

Location, Volume 1 Issues 1-2, 1963, p. 44
1960s

“Speech structures the abyss of mental and acoustic space…it is a cosmic, invisible architecture of the human dark.”

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Marshall McLuhan

Zdroj: 1960s, Counterblast (1969), p. 13

“It is the medium that shapes and controls the scale and form of human association and action.”

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Marshall McLuhan

Zdroj: 1960s, Understanding Media (1964), p. 9

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