Matthew Arnold citáty

Matthew Arnold foto
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Matthew Arnold

Datum narození: 24. prosinec 1822
Datum úmrtí: 15. duben 1888

Matthew Arnold byl anglický básník, esejista a kulturní kritik. Působil jako profesor poesie na Oxfordské univerzitě a školní inspektor. Byl synem významného pedagoga Thomase Arnolda, ředitele internátní školy Rugby.

Citáty Matthew Arnold

„Brighton mne činí žlučovitým, a je prašný a nápadný, ale podivuhodně vhodný pro děti a jsou přes den okamžiky, kdy má moře božský vzhled.“

—  Matthew Arnold

Originál: (en) Brighton makes me bilious, and it is dusty and glaring, but it suits the children wonderfully, and there are moments in the day when the sea has a divine look.

Source: [Arnold, Matthew, The letters of Matthew Arnold: 1866-1870, Svazek 3, University Press of Virginia, 1998, 138, anglicky]

„Come, dear children, let us away;
Down and away below.“

—  Matthew Arnold

St. 1
The Forsaken Merman (1849)
Kontext: Come, dear children, let us away;
Down and away below.
Now my brothers call from the bay;
Now the great winds shoreward blow;
Now the salt tides seaward flow;
Now the wild white horses play,
Champ and chafe and toss in the spray.
Children dear, let us away.
This way, this way!

„Yes, thou art gone! and round me too the night
In ever-nearing circle weaves her shade.“

—  Matthew Arnold, Thyrsis

St. 14
Thyrsis (1866)
Kontext: Yes, thou art gone! and round me too the night
In ever-nearing circle weaves her shade.
I see her veil draw soft across the day,
I feel her slowly chilling breath invade
The cheek grown thin, the brown hair sprent with grey;
I feel her finger light
Laid pausefully upon life’s headlong train; —
The foot less prompt to meet the morning dew,
The heart less bounding at emotion new,
And hope, once crush’d, less quick to spring again.

„Alas! is even love too weak
To unlock the heart, and let it speak?“

—  Matthew Arnold

" The Buried Life http://www.victorianweb.org/authors/arnold/writings/buriedlife.html" (1852), st. 2
Kontext: Alas! is even love too weak
To unlock the heart, and let it speak?
Are even lovers powerless to reveal
To one another what indeed they feel?
I knew the mass of men conceal'd
Their thoughts, for fear that if reveal'd
They would by other men be met
With blank indifference, or with blame reproved;
I knew they lived and moved
Trick'd in disguises, alien to the rest
Of men, and alien to themselves — and yet
The same heart beats in every human breast!

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„For both were faiths, and both are gone.“

—  Matthew Arnold

Stanzas from the Grande Chartreuse (1855)
Kontext: Forgive me, masters of the mind!
At whose behest I long ago
So much unlearnt, so much resign'd —
I come not here to be your foe!
I seek these anchorites, not in ruth,
To curse and to deny your truth; Not as their friend, or child, I speak!
But as, on some far northern strand,
Thinking of his own Gods, a Greek
In pity and mournful awe might stand
Before some fallen Runic stone —
For both were faiths, and both are gone.

„Is it so small a thing
To have enjoy’d the sun“

—  Matthew Arnold, kniha Empedocles on Etna

Act I, sc. ii
Empedocles on Etna (1852)
Kontext: Is it so small a thing
To have enjoy’d the sun,
To have lived light in the spring,
To have loved, to have thought, to have done;
To have advanc’d true friends, and beat down baffling foes?

„Now the wild white horses play,
Champ and chafe and toss in the spray.“

—  Matthew Arnold

St. 1
The Forsaken Merman (1849)
Kontext: Come, dear children, let us away;
Down and away below.
Now my brothers call from the bay;
Now the great winds shoreward blow;
Now the salt tides seaward flow;
Now the wild white horses play,
Champ and chafe and toss in the spray.
Children dear, let us away.
This way, this way!

„The poet's matter being the hitherto experience of the world, and his own, increases with every century.“

—  Matthew Arnold

Letter to Arthur Hugh Clough (December 1847/early 1848)
Kontext: Had Shakespeare and Milton lived in the atmosphere of modern feeling, had they had the multitude of new thoughts and feelings to deal with a modern has, I think it likely the style of each would have been far less curious and exquisite. For in a man style is the saying in the best way what you have to say. The what you have to say depends on your age. In the 17th century it was a smaller harvest than now, and sooner to be reaped; and therefore to its reaper was left time to stow it more finely and curiously. Still more was this the case in the ancient world. The poet's matter being the hitherto experience of the world, and his own, increases with every century.

„We, in some unknown Power's employ,
Move on a rigorous line“

—  Matthew Arnold

"Stanzas in Memory of the Author of "Obermann"" (1852), st. 34
Kontext: We, in some unknown Power's employ,
Move on a rigorous line;
Can neither, when we will, enjoy,
Nor, when we will, resign.

„For poetry the idea is everything; the rest is a world of illusion, of divine illusion.“

—  Matthew Arnold

Introduction to Ward's English Poets (1880)
Kontext: For poetry the idea is everything; the rest is a world of illusion, of divine illusion. Poetry attaches its emotion to the idea; the idea is the fact. The strongest part of our religion today is its unconscious poetry.

„Who saw life steadily, and saw it whole.“

—  Matthew Arnold

"To a Friend" (1849), line 9-12
Kontext: But be his
My special thanks, whose even-balanced soul,
From first youth tested up to extreme old age,
Business could not make dull, nor passion wild;
Who saw life steadily, and saw it whole.

„The what you have to say depends on your age.“

—  Matthew Arnold

Letter to Arthur Hugh Clough (December 1847/early 1848)
Kontext: Had Shakespeare and Milton lived in the atmosphere of modern feeling, had they had the multitude of new thoughts and feelings to deal with a modern has, I think it likely the style of each would have been far less curious and exquisite. For in a man style is the saying in the best way what you have to say. The what you have to say depends on your age. In the 17th century it was a smaller harvest than now, and sooner to be reaped; and therefore to its reaper was left time to stow it more finely and curiously. Still more was this the case in the ancient world. The poet's matter being the hitherto experience of the world, and his own, increases with every century.

„Ah, love, let us be true
To one another!“

—  Matthew Arnold, Dover Beach

St. 4
Dover Beach (1867)
Kontext: Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

„And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.“

—  Matthew Arnold, Dover Beach

St. 4
Dover Beach (1867)
Kontext: Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

„Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Etiam egestas wisi a erat. Morbi imperdiet, mauris ac auctor dictum.“

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