Matthew Arnold citáty
Matthew Arnold
Datum narození: 24. prosinec 1822
Datum úmrtí: 15. duben 1888
Matthew Arnold byl anglický básník, esejista a kulturní kritik. Působil jako profesor poesie na Oxfordské univerzitě a školní inspektor. Byl synem významného pedagoga Thomase Arnolda, ředitele internátní školy Rugby.
Podobní autoři
Jiří Olič12
český básník a literární kritik
Samuel Taylor Coleridge9
anglický básník, literární kritik a filozof
Samuel Johnson45
anglický spisovatel
John Ruskin34
anglický spisovatel a umělecký kritik
Rabíndranáth Thákur39
bengálský básník, prozaik, dramatik, hudební skladatel, mal…
John Dryden5
anglický básník a dramatik
Pej Tao1
současný čínský avantgardní básník
Josef Hlaváček1
český estetik a výtvarný kritik
Gilbert Keith Chesterton129
anglický romanopisec a křesťanský obhájce
Christopher Dawson1
britský historikCitáty Matthew Arnold
„A poetry of revolt against moral ideas is a poetry of revolt against life; a poetry of indifference towards moral ideas is a poetry of indifference towards life.“
— Matthew Arnold
Context: If what distinguishes the greatest poets is their powerful and profound application of ideas to life, which surely no good critic will deny, then to prefix to the word ideas here the term moral makes hardly any difference, because human life itself is in so preponderating a degree moral.
It is important, therefore, to hold fast to this: that poetry is at bottom a criticism of life; that the greatness of a poet lies in his powerful and beautiful application of ideas to life — to the question, How to live. Morals are often treated in a narrow and false fashion, they are bound up with systems of thought and belief which have had their day, they are fallen into the hands of pedants and professional dealers, they grow tiresome to some of us. We find attraction, at times, even in a poetry of revolt against them; in a poetry which might take for its motto Omar Khayam's words: "Let us make up in the tavern for the time which we have wasted in the mosque." Or we find attractions in a poetry indifferent to them, in a poetry where the contents may be what they will, but where the form is studied and exquisite. We delude ourselves in either case; and the best cure for our delusion is to let our minds rest upon that great and inexhaustible word life, until we learn to enter into its meaning. A poetry of revolt against moral ideas is a poetry of revolt against life; a poetry of indifference towards moral ideas is a poetry of indifference towards life.
Wordsworth, originally published as "Preface to the Poems of Wordsworth" in Macmillan's Magazine (July 1879)
„Who saw life steadily, and saw it whole.“
— Matthew Arnold
Context: But be his
My special thanks, whose even-balanced soul,
From first youth tested up to extreme old age,
Business could not make dull, nor passion wild;
Who saw life steadily, and saw it whole.
"To a Friend" (1849), line 9-12
„We cannot kindle when we will
The fire that in the heart resides“
— Matthew Arnold
Context: We cannot kindle when we will
The fire that in the heart resides,
The spirit bloweth and is still,
In mystery our soul abides; —
But tasks, in hours of insight willed,
Can be through hours of gloom fulfilled.
"Morality" (1852), st. 1
„What actions are the most excellent? Those, certainly, which most powerfully appeal to the great primary human affections: to those elementary feelings which subsist permanently in the race, and which are independent of time.“
— Matthew Arnold
Context: What actions are the most excellent? Those, certainly, which most powerfully appeal to the great primary human affections: to those elementary feelings which subsist permanently in the race, and which are independent of time. These feelings are permanent and the same; that which interests them is permanent and the same also.
"Preface to Poems" (1853)
„It is important, therefore, to hold fast to this: that poetry is at bottom a criticism of life; that the greatness of a poet lies in his powerful and beautiful application of ideas to life — to the question, How to live.“
— Matthew Arnold
Context: If what distinguishes the greatest poets is their powerful and profound application of ideas to life, which surely no good critic will deny, then to prefix to the word ideas here the term moral makes hardly any difference, because human life itself is in so preponderating a degree moral.
It is important, therefore, to hold fast to this: that poetry is at bottom a criticism of life; that the greatness of a poet lies in his powerful and beautiful application of ideas to life — to the question, How to live. Morals are often treated in a narrow and false fashion, they are bound up with systems of thought and belief which have had their day, they are fallen into the hands of pedants and professional dealers, they grow tiresome to some of us. We find attraction, at times, even in a poetry of revolt against them; in a poetry which might take for its motto Omar Khayam's words: "Let us make up in the tavern for the time which we have wasted in the mosque." Or we find attractions in a poetry indifferent to them, in a poetry where the contents may be what they will, but where the form is studied and exquisite. We delude ourselves in either case; and the best cure for our delusion is to let our minds rest upon that great and inexhaustible word life, until we learn to enter into its meaning. A poetry of revolt against moral ideas is a poetry of revolt against life; a poetry of indifference towards moral ideas is a poetry of indifference towards life.
Wordsworth, originally published as "Preface to the Poems of Wordsworth" in Macmillan's Magazine (July 1879)
„The poet's matter being the hitherto experience of the world, and his own, increases with every century.“
— Matthew Arnold
Context: Had Shakespeare and Milton lived in the atmosphere of modern feeling, had they had the multitude of new thoughts and feelings to deal with a modern has, I think it likely the style of each would have been far less curious and exquisite. For in a man style is the saying in the best way what you have to say. The what you have to say depends on your age. In the 17th century it was a smaller harvest than now, and sooner to be reaped; and therefore to its reaper was left time to stow it more finely and curiously. Still more was this the case in the ancient world. The poet's matter being the hitherto experience of the world, and his own, increases with every century.
Letter to Arthur Hugh Clough (December 1847/early 1848)
„The what you have to say depends on your age.“
— Matthew Arnold
Context: Had Shakespeare and Milton lived in the atmosphere of modern feeling, had they had the multitude of new thoughts and feelings to deal with a modern has, I think it likely the style of each would have been far less curious and exquisite. For in a man style is the saying in the best way what you have to say. The what you have to say depends on your age. In the 17th century it was a smaller harvest than now, and sooner to be reaped; and therefore to its reaper was left time to stow it more finely and curiously. Still more was this the case in the ancient world. The poet's matter being the hitherto experience of the world, and his own, increases with every century.
Letter to Arthur Hugh Clough (December 1847/early 1848)
„I knew they lived and moved
Trick'd in disguises, alien to the rest
Of men, and alien to themselves — and yet
The same heart beats in every human breast!“
— Matthew Arnold
Context: Alas! is even love too weak
To unlock the heart, and let it speak?
Are even lovers powerless to reveal
To one another what indeed they feel?
I knew the mass of men conceal'd
Their thoughts, for fear that if reveal'd
They would by other men be met
With blank indifference, or with blame reproved;
I knew they lived and moved
Trick'd in disguises, alien to the rest
Of men, and alien to themselves — and yet
The same heart beats in every human breast!
" The Buried Life http://www.victorianweb.org/authors/arnold/writings/buriedlife.html" (1852), st. 2
„Ah, love, let us be true
To one another!“
— Matthew Arnold
Context: Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.
St. 4
