James Joyce citáty
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James Augustine Aloysius Joyce byl irský romanopisec a básník. Svým dílem náleží mezi významné autory 20. století, vedle např. Marcela Prousta, Roberta Musila či Virginie Woolfové. V jeho díle se často objevuje motiv jeho rodného města, Dublinu, přestože většinu svého dospělého života prožil v zahraničí. Dalším silným motivem v jeho díle je římskokatolická církev, nejzřetelněji je jeho vztah k této instituci vidět v psychologii Štěpána Dedala, jedné z hlavních postav v Odysseovi. Wikipedia  

✵ 2. únor 1882 – 13. leden 1941
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James Joyce: Citáty anglicky

“But toms will till. I know he well.”

James Joyce kniha Finnegans Wake

Book I, Chapter 8
'time will tell'; 'I know he will / I know him well'
Finnegans Wake (1939)

“There is not past, no future; everything flows in an eternal present.”

To Jacques Mercanton, on the structure of Ulysses, as quoted in James Joyce: The Critical Heritage (1997) by Robert H. Deming, p. 22

“I confess that I do not see what good it does to fulminate against the English tyranny while the Roman tyranny occupies the palace of the soul.”

"Ireland, Island of Saints and Sages," lecture, Università Popolare, Trieste (27 April 1907), printed in James Joyce: Occasional, Critical and Political Writing (2002) edited by Kevin Barry [Oxford University Press, 2002, <small> ISBN 0-192-83353-7</small>], p. 125

“The oaks of ald now they lie in peat yet elms leap where askes lay.”

James Joyce kniha Finnegans Wake

4.14-15
Finnegans Wake (1939)

“The sly reeds whisper to the night
A name — her name”

James Joyce kniha Pomes Penyeach

Alone, p. 18
Pomes Penyeach (1927)

“My heart, have you no wisdom thus to despair?
My love, my love, my love, why have you left me alone?”

From the poem I Hear an Army http://www.bartleby.com/103/128.html

“You forget that the kingdom of heaven suffers violence: and the kingdom of heaven is like a woman.”

Exiles (1915), Act II http://www.robotwisdom.com/jaj/exiles2.html

“Loveward above the glancing oar”

James Joyce kniha Pomes Penyeach

Watching The Needleboats At San Sabba, p. 10
Pomes Penyeach (1927)

“The fragrant hair,
Falling as through the silence falleth now
Dusk of the air.”

James Joyce kniha Pomes Penyeach

Tutto E Sciolto, p. 13
Pomes Penyeach (1927)

“And mine a shielded heart for her
Who gathers simples of the moon.”

James Joyce kniha Pomes Penyeach

Simples, p. 15
Pomes Penyeach (1927)

“When I hear the word "stream" uttered with such a revolting primness, what I think of is urine and not the contemporary novel. And besides, it isn't new, it is far from the dernier cri. Shakespeare used it continually, much too much in my opinion, and there's Tristram Shandy, not to mention the Agamemnon.”

Said in conversation with Frederic Prokosch and quoted in Prokosch's Voices: A Memoir (1983), "At Sylvia’s." Joyce was replying to Prokosch's statement that Molly Bloom’s monologue in Ulysses was written as a stream of consciousness. "Molly Bloom was a down-to-earth lady" said Joyce. "She would never have indulged in anything so refined as a stream of consciousness."

“Our civilization, bequeathed to us by fierce adventurers, eaters of meat and hunters, is so full of hurry and combat, so busy about many things which perhaps are of no importance, that it cannot but see something feeble in a civilization which smiles as it refuses to make the battlefield the test of excellence.”

"A Suave Philosophy," in Daily Express, Dublin (6 February 1903), printed in James Joyce: Occasional, Critical and Political Writing (2002) edited by Kevin Barry [Oxford University Press, <small> ISBN 0-192-83353-7</small>], p. 67

“This is the moment which I call epiphany. First we recognise that the object is one integral thing, then we recognise that it is an organised composite structure, a thing in fact: finally, when the relation of the parts is exquisite, when the parts are adjusted to the special point, we recognise that it is that thing which it is. Its soul, its whatness, leaps to us from the vestment of its appearance. The soul of the commonest object, the structure of which is so adjusted, seems to us radiant. The object achieves its epiphany.”

James Joyce kniha Stephen Hero

Stephen Hero (1944)
Kontext: Now for the third quality. For a long time I couldn't make out what Aquinas meant. He uses a figurative word (a very unusual thing for him) but I have solved it. Claritas is quidditas. After the analysis which discovers the second quality the mind makes the only logically possible synthesis and discovers the third quality. This is the moment which I call epiphany. First we recognise that the object is one integral thing, then we recognise that it is an organised composite structure, a thing in fact: finally, when the relation of the parts is exquisite, when the parts are adjusted to the special point, we recognise that it is that thing which it is. Its soul, its whatness, leaps to us from the vestment of its appearance. The soul of the commonest object, the structure of which is so adjusted, seems to us radiant. The object achieves its epiphany.

“Around us fear, descending
Darkness of fear above”

James Joyce kniha Pomes Penyeach

On The Beach At Fontana, p. 14
Pomes Penyeach (1927)

“Seraphim,
The lost hosts awaken”

James Joyce kniha Pomes Penyeach

Nightpiece, p. 17
Pomes Penyeach (1927)

“Boor, bond of thy herd,
Tonight stretch full by the fire!”

James Joyce kniha Pomes Penyeach

Tilly, p. 9
Pomes Penyeach (1927)

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